Posts in Wolfgang Amadeus Mozart

The Story Behind "The Magic Flute" by Mozart The Magic Flute K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue. #classicalmusic #mozart #orchestra We are a educational channel specializing in history of classical music. Our goal is to spread classical music to the greatest number of people. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: https://www.melhoresmusicasclassicas.com

Mozart Managed to Compose a Masterful Overture While Drunk Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630. It is a dramma giocoso blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as opera buffa). It was premiered by the Prague Italian opera at the National Theater, on 29 October 1787. Don Giovanni is regarded as one of the greatest operas of all time. #classicalmusic #mozart #orchestra We are a educational channel specializing in history of classical music. Our goal is to spread classical music to the greatest number of people. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: https://www.melhoresmusicasclassicas.com

Mozart - Short Biography Born in Salzburg, then in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court but grew restless and travelled in search of a better position. #mozart #classicalmusic #orchestra We are a educational channel specializing in history of classical music. Our goal is to spread classical music to the greatest number of people. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: https://www.melhoresmusicasclassicas.com

How Old Was Mozart When He Composed His First Symphony? The symphony was written on the Mozart family's Grand Tour of Europe in London when they had to move to Chelsea during the summer of 1764 due to Mozart's father Leopold's throat infection. The house at 180 Ebury Street, now in the borough of Westminster, where this symphony was written, is marked with a plaque. #mozart #classicalmusic #orchestra We are a educational channel specializing in history of classical music. Our goal is to spread classical music to the greatest number of people. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: https://www.melhoresmusicasclassicas.com

The Divertimento K. 138 in F major was written in 1772, a date which carries various social, political, and musicological connotations – but more fundamentally that Wolfgang Amadè* Mozart was only 15 years old at the time. Then, he was a celebrated child prodigy and pride of Salzburg under the wing of his father Leopold, a wing he would find difficult to fly from later in life. That was also the year that Count Hieronymus Colloredo was elected Prince-Archbishop, with whom he would eventually develop a stormy working relationship. The divertimenti written in this period reflect the innocence of his youth. The genre, prior to more formal categorization from 1780, was generally “diverting” music, in the sense of light, possibly outdoor music or even as background music for some social event. The Grove Online entry references H.C. Koch’s definition of music that should “please the ear rather than express different shades of emotion.” It is ironic then that today’s ‘proper’ performances of the work in concert halls may less reflect the context of the era than its use during wedding gigs. In any setting, however, the beauty of the composition remains clear more than two hundred years later. In the style of the operatic composer he was destined to be, the singing melodic lines of the first violin take the lead through the first two movements, only giving some equal ground to the other string parts in the closing rondo movement. Mozart - Divertimento in F major, K.138 We are a educational channel specializing in history of classical music. Our goal is to spread classical music to the greatest number of people. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 #MusicHistory #Divertimento #Mozart 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com

Wolfgang Amadeus Mozart (1756-1791) was one of the most influential, popular and prolific composers of the classical period. He composed over 600 works, including some of the most famous and loved pieces of symphonic, chamber, operatic, and choral music. Mozart was born in Salzburg to a musical family. From an early age, the young Mozart showed all the signs of a prodigious musical talent. By the age of 5 he could read and write music, and he would entertain people with his talents on the keyboard. By the age of 6 he was writing his first compositions. Mozart was generally considered to be a rare musical genius, though Mozart said that he was diligent in studying other great composers such as Haydn and Bach. Wolfgang Amadeus Mozart was born on January 27, 1756, in Salzburg, Austria. His father, Leopold Mozart, a noted composer, instructor, and the author of famous writings on violin playing, was then in the service of the archbishop of Salzburg. Leopold and Anna Maria, his wife, stressed the importance of music to their children. Together with his sister, Nannerl, Wolfgang received such intensive musical training that by the age of six he was a budding composer and an accomplished keyboard performer. In 1762 Leopold presented his son as performer at the imperial court in Vienna, Austria, and from 1763 to 1766 he escorted both children on a continuous musical tour across Europe, which included long stays in Paris, France, and London, England, as well as visits to many other cities, with appearances before the French and English royal families. Mozart was the most celebrated child prodigy (an unusually gifted child) of this time as a keyboard performer. He also made a great impression as a composer and improviser (one who arranges or creates). In London he won the admiration of musician Johann Christian Bach (1735–1782), and he was exposed from an early age to an unusual variety of musical styles and tastes across Europe. From the age of ten to seventeen, Mozart's reputation as a composer grew to a degree of maturity equal to that of most older established musicians. He spent the years from 1766 to 1769 at Salzburg writing instrumental works and music for school dramas in German and Latin, and in 1768 he produced his first real operas: the German Singspiel (that is, with spoken dialogue) Bastien und Bastienne. Despite his growing reputation, Mozart found no suitable post open to him; and his father once more escorted Mozart, at age fourteen (1769), and set off for Italy to try to make his way as an opera composer. In Italy, Mozart was well received: in Milan, Italy, he obtained a commission for an opera; in Rome he was made a member of an honorary knightly order by the Pope; and at Bologna, Italy, the Accademia Filarmonica awarded him membership despite a rule normally requiring candidates to be twenty years old. During these years of travel in Italy and returns to Salzburg between journeys, he produced his first large-scale settings of opera seria (that is, court opera on serious subjects): Mitridate (1770), Ascanio in Alba (1771), and Lucio Silla (1772), as well as his first string quartets. At Salzburg in late 1771 he renewed his writing of Symphonies (Nos. 14–21). Mozart's years in Vienna, from age twenty-five to his death at thirty-five, cover one of the greatest developments in a short span in the history of music. In these ten years Mozart's music grew rapidly beyond the realm of many of his contemporaries; it exhibited both ideas and methods of elaboration that few could follow, and to many the late Mozart seemed a difficult composer. In the field of the string quarter Mozart produced two important groups of works that completely overshadowed any he had written before 1780: in 1785 he published the six Quartets (K. 387, 421, 428, 458, 464, and 465) and in 1786 added the single Hoffmeister Quartet (K. 499). In 1789 he wrote the last three Quartets (K. 575, 589, and 590), dedicated to King Frederick William (1688–1740) of Prussia, a noted cellist. On concluding The Magic Flute, Mozart turned to work on what was to be his last project, the Requiem. This Mass had been commissioned by a benefactor (financial supporter) said to have been unknown to Mozart, and he is supposed to have become obsessed with the belief that he was, in effect, writing it for himself. Ill and exhausted, he managed to finish the first two movements and sketches for several more, but the last three sections were entirely lacking when he died. It was completed by his pupil Franz Süssmayer after his death, which occurred in Vienna, Austria, on December 5, 1791. #MusicHistory #Biography #Mozart 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com

The Serenade no. 13, K. 525, is a 1787 composition for chamber ensemble by W.A. Mozart. The title means 'a little serenade', though it is often rendered more literally but less accurately as A little night music (which has become a common nickname for the piece). There are no records of its first performance, but it is suggested that -as with his other serenades- Mozart wrote it on comission. The traditionally used name of the work comes from the entry Mozart made for it in his personal catalog, which begins, "Eine kleine Nachtmusik." It has been pointed out that Mozart was not giving the piece a special title, but only entering in his records that he had completed a little serenade. The work is written for an ensemble of two violins, viola, and cello with optional double bass, but is often performed by string orchestras. In the catalog entry mentioned above, Mozart listed the work as having five movements The second movement in his listing, a minuet and trio, was long thought lost and no one knows if it was Mozart or someone else who removed it. In the catalog entry mentioned above, Mozart listed the work as having five movements ("Allegro – Minuet and Trio – Romance – Minuet and Trio – Finale."). The second movement in his listing — a minuet and trio — was long thought lost, and no one knows if Mozart or someone else removed it. In his 1984 recording, Christopher Hogwood used a minuet of Thomas Attwood (found in his sketchbooks used while he took lessons from Mozart), and an additional newly composed trio to substitute the missing movement. Musicologist Alfred Einstein suggested, however, that a minuet in the Piano Sonata in B♭ major, K. 498a, is the missing movement. K. 498a, which is credited to the composer August Eberhard Müller, incorporates significant amounts of Mozart's work in the form of reworkings of material from the piano concertos K. 450, K. 456, and K. 595, leading Einstein to suggest that the minuet in Müller's sonata might be an arrangement of the missing movement from Eine kleine Nachtmusik. In 1971, this movement was incorporated into a recording of the work prepared by the musicologist and performer Thurston Dart. In 1989, the minuet and trio of K. 498a was again recorded as part of an arrangement of Eine Kleine Nachtmusik made by Jonathan Del Mar for Nimbus Records. Mozart - Serenade in G major - Music | History We are a educational channel specializing in history of classical music. Our goal is to spread classical music to the greatest number of people. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 #MusicHistory #Serenade #Mozart 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com

The Flute Concerto No. 1 in G major, K. 313, was written in 1778 by Wolfgang Amadeus Mozart. Commissioned by the Dutch flautist Ferdinand De Jean in 1777, Mozart was supposed to provide four flute quartets and three flute concertos, yet he only completed two of the three concertos, K. 313 being the first. The Andante for Flute and Orchestra K. 315 may have been written as an alternative slow movement for this concerto, but there is no extant manuscript and it is therefore difficult to ascertain Mozart's intentions clearly (this also means that current editions are based on the earliest editions rather than an autograph). The piece is scored for a standard set of orchestral strings, two oboes (which are replaced with two flutes in the Adagio movement), and two horns. The piece is divided into three movements: 1. Allegro maestoso 2. Adagio ma non troppo 3. Rondo: Tempo di Menuetto Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized. He composed more than 600 works, many of which are acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is considered among the greatest classical composers of all time, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years". Mozart - Flute Concerto in G Major K. 313 We are a educational channel specializing in history of classical music. Our goal is to spread classical music to the greatest number of people. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #FluteConcerto #Mozart

Mozart - Fantasia in C minor K. 475 - Music | History Fantasia in C minor, K. 475 is a piece of music for solo piano composed by Wolfgang Amadeus Mozart in Vienna on 20 May 1785. It was published as Opus 11, in December 1785, together with the Sonata in C minor, K. 457, the only one of Mozart's piano sonatas to be published together with a work of a different genre. Starting in the key of C minor, the piece is marked Adagio but then, after a section in D major, moves into an allegro section which goes from A minor to G minor, F major, and then F minor. It then moves into a fourth section in B♭ major marked Andantino and then moves to a più allegro section starting in G minor and modulating through many keys before the opening theme returns in the original key of C minor. Most of the music is written with no sharps or flats in the key signature and uses accidentals—only the fourth section, in B♭ major, is given a key signature. We are a educational channel specializing in history of classical music. Our goal is to spread classical music to the greatest number of people. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Mozart

Mozart - String Quintet No. 4 in Gm, K. 516 - Music | History The String Quintet No. 4 in G minor, K. 516, written by Wolfgang Amadeus Mozart, is like all of Mozart's string quintets a "viola quintet" in that it is scored for string quartet and an extra viola (that is, two violins, two violas and cello). The mood of the piece is dark and melancholic, typical of Mozart's G minor works. The work was completed on May 16, 1787, less than a month after the completion of his grand C major Quintet, K. 515. This would not be the last time that a great pair of C major/G minor works of the same form would be published in close proximity and assigned consecutive Köchel numbers. The following year, the 40th (G minor) and 41st (C major) symphonies (respectively K. 550 and K. 551) would be completed within a few weeks of each other. The first movement is in sonata form with both the first and second themes beginning in G minor. The movement does not resolve to the major key in the recapitulation, and it has a minor-key ending. The minuet, placed second, is a minuet in name only, as the turbulent G minor theme and heavy third-beat chords make this movement very undancelike. The central trio, by contrast, is in a bright G major. The third movement, in E-flat major, is slow, melancholic and wistful, furthering the despair brought forth by the previous movements. Pyotr Ilyich Tchaikovsky said of this movement: "No one has ever known as well how to interpret so exquisitely in music the sense of resigned and inconsolable sorrow." The start of the fourth movement is not the typical quick-tempo finale, but a slow aria back in the home key of G minor. It is a dirge or lament that is even slower than the previous movement. The music remains in this dark area for a few minutes before reaching an ominous pause. At this point, Mozart launches into the ebullient G major Allegro, which creates a stark contrast between it and the movements that preceded it. Critics have often questioned how such an insouciant and carefree finale could follow after three-plus movements of intense pathos, even though it conforms perfectly to the Classical understanding of a finale as resolving everything that preceded it. We are a cultural channel specializing in classical music. Our goal is to spread classical music to the greatest number of people. Here you will find musics for studying, concentration, relaxing and working. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Mozart