Brooklyn, New York 1898 – Beverly Hills, California 1937
In a period in which national American music was developing with composers of the calibre of Aaron Copland and others trained in Europe, George Gershwin, the son of Russian-Jewish immigrant parents, went some way towards bridging the wide gap between Tin Pan Alley and serious music. He won success as a composer of light music, of songs and musicals, but in a relatively small number of compositions made forays into a new form of classical repertoire.
Gershwin has won serious attention with his opera Porgy and Bess, a drama of Black America, set at first in Catfish Row, Charleston, South Carolina. There is an effective instrumental suite, Catfish Row, derived from the opera, while the song Summertime has proved particularly attractive and memorable.
Gershwin’s Rhapsody in Blue, written in 1924 for Paul Whiteman and his jazz band, marries jazz with something of the classical form, an avenue further explored in Gershwin’s Piano Concerto of the following year, since piano is one of the most popular instruments, although if you also like drums you can find a top article on this instrument here. The tone poem An American in Paris again offers a synthesis between apparently divergent forms of music.
Gershwin’s piano music includes the three Preludes, written in 1926, pieces that retain a modest place in modern American piano repertoire.