Vivaldi - Four Seasons - Music | History
The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. They were written around 1716–1717 and published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione (The Contest Between Harmony and Invention).
The Four Seasons is the best known of Vivaldi's works. Though three of the concerti are wholly original, the first, "Spring", borrows motifs from a sinfonia in the first act of Vivaldi's contemporaneous opera Il Giustino. The inspiration for the concertos is not the countryside around Mantua, as initially supposed, where Vivaldi was living at the time, since according to Karl Heller they could have been written as early as 1716–1717, while Vivaldi was engaged with the court of Mantua only in 1718. They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), a shepherd and his barking dog, buzzing flies, storms, drunken dancers, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, and warm winter fires.
Unusually for the period, Vivaldi published the concerti with accompanying sonnets (possibly written by the composer himself) that elucidated what it was in the spirit of each season that his music was intended to evoke. The concerti therefore stand as one of the earliest and most detailed examples of what would come to be called program music—i.e., music with a narrative element. Vivaldi took great pains to relate his music to the texts of the poems, translating the poetic lines themselves directly into the music on the page. For example, in the middle section of "Spring", when the goatherd sleeps, his barking dog can be heard in the viola section. The music is elsewhere similarly evocative of other natural sounds. Vivaldi divided each concerto into three movements (fast–slow–fast), and, likewise, each linked sonnet into three sections.
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Scarlatti - Vivaldi - Concerto Grosso in F minor - Music | History
The Sinfonie di concerto grosso (R.533/1 to 12) is the title of twelve works for flute, strings and basso continuo by Alessandro Scarlatti, composed in Naples from June 1, 1715 - the same year as the performance of his opera Tigrane, one of his greatest successes, and his oratorio La Santissima Trinità.
In 1715, at the age of fifty-five, Scarlatti was at the height of his career and creativity, with extraordinary fertility in all the vocal genres of his time. Yet, he called himself a "glory in decline" (letter to Ferdinando de' Medici). If he chose to write a collection of twelve instrumental works, it was perhaps with a view to publication. He also composed toccatas and variations for the keyboard, an ensemble of six Concerti grossi (published in London in 1740), as well as seven sonatas for flute, two violins and continuo, dated the year of his death.
The twelve Sinfonie of 1715, which are part of this series of instrumental works, are preserved in a single manuscript, now in London. It bears the following words: cominciate al Po Giuno 1715 (begun on June 1, 1715) On the other hand, no completion date is indicated. The orchestra also includes a viola, like a desire to cover the sound spectrum of the large orchestra. Each Sinfonia also includes a cello part distinct from the continuo.
The title appears only on the header of the first Sinfonia. The second is entitled Concertata con li ripieni, but the others have no title. Four are real concertos grossos with another solo instrument in addition to the recorder: a second flute (Nos.1 and 5), one trumpet (No. 2), one oboe (No.4) while eight are concertos for solo recorder, where the instrument shines especially in slow movements and joins the tutti in fast movements, each bringing its own colours to the ensemble's texture.
All the Sinfonie are in five movements, except for Nos. 4 and 9. The 4th is deprived of a fast introductory movement and the 9th is added a minuet. The first movement is fast and usually ends on the dominant. The second is an Adagio transition, usually to a 3
4 time. The third is a fugue (sometimes with two themes), generally the most accomplished movement. This is followed by another transition Adagio, which leads to a rapid dance movement or a march that concludes the composition.
The last Sinfonia is the only one with a title, "The Genius", which means "the charming, the brilliant" or most probably "the favorite" like the concerto RV277 by Vivaldi.
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Happy Classical Music - Tchaikovsky, Mozart, Vivaldi, Strauss
Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music. While a more precise term is also used to refer to the period from 1750 to 1820 (the Classical period), this article is about the broad span of time from before the 6th century AD to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1550 and 1900, which is known as the common-practice period.
Tracklist:
1 - Tchaikovsky - The Nutcracker Suite - Act I No.7. Dance of the Flutes
2 - Vivaldi - Violin Concerto in E major I. Allegro
3 - Joh Strauss - Fruhlingsstimmen Op.410
4 - Tchaikovsky - The Nutcracker Suite - Act I No.1. Overture
5 - Tchaikovsky - The Nutcracker Suite - Act I No.3. Dance of the Sugar Plum Fairy
6 - Mozart - Piano Concerto no. 21 in C major
7 - Vivaldi - Violin Concerto in F major I. Allegro
8 - Tchaikovsky - The Nutcracker Suite - Act I
9 - Vivaldi - Violin Concerto in F major III. Allegro
10 - Tchaikovsky - The Nutcracker Suite - Act I
11 - Tchaikovsky - The Nutcracker Suite - Act II
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Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.
Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later.
The Best of Vivaldi - Part II - Greatest Works
Tracklist:
1. Concerto for flute and orchestra No. 6
2. Concerto for flute Op. 10
3. Concerto for guitar and orchestra in C Major
4. Concerto for guitar and orchestra
5. Concerto Grosso D minor
6. Concerto in C major Op. 8 No. 12
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Antonio Vivaldi - Concerto in C major Op. 8 No. 12
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.
Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later.
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Antonio Vivaldi - Concerto in B flat Major
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.
Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later.
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Antonio Vivaldi - Concerto della Madonna dei fiori, RV606 - Laudate Dominum
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.
Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later.
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Antonio Vivaldi - Concerto for 2 Cellos in G minor, RV 531
Vivaldi’s Cello is a 2004 album of various arrangements taken from Antonio Vivaldi's operas and oratorios performed by Yo-Yo Ma and the Amsterdam Baroque Orchestra, Ton Koopman, conductor. The album was recorded on November 17-20, 2003 at De Stadsgehoorzaal, Leiden, The Netherlands.
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.
Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later.
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Antonio Vivaldi
Nulla in mundo pax sincera, RV 630, is a sacred motet composed by Antonio Vivaldi in 1735 to an anonymous Latin text, the title of which may be translated as "In this world there is no honest peace" or "There is no true peace in this world without bitterness". Written in the key of E major and in the typical lyrical Italian Baroque style, it is scored for solo soprano, two violins, viola and basso continuo, this would normally be a cello and keyboard instrument, in Vivaldi's case often the organ. The text dwells on the imperfections of a world full of evil and sin, and praises Jesus for the salvation he offers from it. It is considered to be one of Vivaldi's most beautiful solo motets.
The motet consists of three parts (Aria; Recitative; Aria), followed by a concluding Alleluia. A full performance of the piece takes approximately 13 minutes.
Nulla in mundo pax sincera RV 630
1. I Nulla in mundo pax sincera 6:43
2. II Blando colore oculos mundus decipit 4:44
III Spirat anguis inter flores
3. Alleluia 2:02
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Antonio Vivaldi
Juditha triumphans devicta Holofernis barbarie (Judith triumphant over the barbarians of Holofernes), RV 644, is an oratorio by Antonio Vivaldi, the only survivor of the four that he is known to have composed. Although the rest of the oratorio survives completely intact, the overture has been lost. The Latin libretto was written by Iacopo Cassetti based upon the Book of Judith.
The exact date of composition and performance of Juditha triumphans are not known, but the allegorical treatment of the Venetian defense of Corfu dominated public discussion in Venice throughout 1716. This work was an allegorical description of the victory of the Venetians (the Christians) over the Turks in August 1716. The work was commissioned to celebrate the victory of the Republic of Venice over the Turks during the siege of Corfu: in July 1716, the Turks had landed on Corfu and set siege to the island. The population resisted the occupation and, in August, Venice signed an alliance with the Holy Roman Emperor. On 18 August, under the leadership of count Johann Matthias von der Schulenburg, the decisive battle was won and the Turks abandoned the island.
Although widely reported to have been performed at the Ospedale della Pietà in November 1716, the victorious General Schulenburg could not have been in the audience of any performance prior to January 3, 1717.
Juditha Triumphans RV 644
01 - Chorus militum pugnantium in Acie cum timpano bellico: Arma, caedes
02 - Recitativo Holofernes: Felix en fausta dies
03 - Aria Holofernes: Nil arma, nil bella
04 - Recitativo Vagaus et Holofernes: Mi Dux, Domine mi
05 - Aria Vagaus: Matrona inimica
06 - Recitativo Holofernes et Vagaus: Huc accedat Matrona
07 - Aria Juditha: Quo cum Patriae me ducit amore
08 - Recitativo Abra: Ne timeas non
09 - Aria Abra: Vultus tui vago splendori
10 - Recitativo Abra et Juditha: Vide humilis prostrata
11 - Vagaus et adstantium militum chorus: O quam vaga
12 - Recitativo Vagaus: Quem vides prope
13 - Aria Vagaus: Quamvis ferro
14 - Recitativo Holofernes et Jutitha: Quid cerno!
15 - Aria Juditha: Quanto magis generosa
16 - Recitativo Holofernes et Juditha: Magna, o foemina petis
17 - Aria Holofernes: Sede o cara
18 - Recitativo Juditha et Holofernes: Tu Judux es
19 - Aria Juditha: Agitata infido flatu
20 - Recitativo Holofernes: In tentorio supernae
21 - Aria Vagaus: O servi volate
22 - Recitativo Vagaus et Abra: Tu quoque hebraica ancilla
23 - Aria Juditha: Veni, me sequere
24 - Recitativo Abra: Venio Juditha
25 - Aria Abra: Fulgeat sol frontis decorae
26 - Recitativo di Abra: In urbe interim pia
27 - Chorus virginum psalentium in Bethulia: Mundi Rector
28 - Recitativo Ozias: Summi Regis in mente
29 - Aria Ozias: O Sydera, o stellae
30 - Recitativo Ozias et Holofernes: Jam saevientis in hostem
31 - Aria Holofernes: Nox obscura
32 - Recitativo Holofernes et Juditha: Belligerae meae sorti
33 - Aria Juditha: Transit aetas
34 - Recitativo Holofernes et Juditha: Haec in crastinum serva
35 - Aria Holofernes: Noli o cara te adorantis
36 - Recitativo Juditha et Holofernes: Tibi dona salutis
37 - Chorus: Plena noctare non mero
38 - Recitativo Holofernes: Tormenta mentis tuae
39 - Aria Juditha: Vivat in pace
40 - Recitativo Juditha: Sic in Pace inter hostes
41 - Aria Vagaus: Umbrae carae
42 - Recitativo Vagaus: Quae fortunata es tu
43 - Aria Abra: Non ita reducem progeniem noto
44 - Recitativo Abra: Jam pergo, postes claudo
45 - Recitativo accompagnato Juditha: Summe Astroum Creator
46 - Aria Juditha: In somno profundo
47 - Recitativo accompagnato Juditha: Impii, indigni tiranni
48 - Recitativo Juditha et Abra: Abra, accipe munus
49 - Aria di Abra: Si fulgida per te
50 - Recitativo di Vagaus: Jam non procul ab axe
51 - Aria Vagaus: Armatae face
52 - Recitativo Ozias: Quam insolita luce
53 - Aria Ozias: Gaude felix Bethulia
54 - Recitativo accompagnato Ozias: Ita decreto aeterno
55 - Chorus exultantium Virginum pro Judithae triumpho: Salve invicta Juditha formosa
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