Posts in Beethoven

Ludwig van Beethoven's Piano Sonata No. 16 in G major, Op. 31 No. 1, was composed between 1801 and 1802. Although it was numbered as the first piece in the trio of piano sonatas which were published as Opus 31 in 1803, Beethoven actually finished it after the Op. 31 No. 2, the Tempest Sonata. Due to his dissatisfaction with the classical style of music, Beethoven pledged to take a new path of musical composition and style. The Opus 31 works are the first examples of Beethoven's new and unconventional ideas, an attempt to make a name for himself in the annals of music history. For example, the first movement, unlike most sonata allegro forms in which the second theme of the exposition is dominant, the second theme is in B major and B minor, the mediant of the original key. Beethoven would later continue to use the mediant and submediant as expositional goals for major-key sonata-form movements, such as the first movements of the Waldstein and Hammerklavier sonatas, the Archduke trio, the triple concerto and the thirteenth string quartet, as well as the finale to the seventh symphony. It is important to take into account that these pieces were written after the famous Heiligenstadt Testament of 1802. This sonata is light, breezy and has touches of humour and irony in its movements.[1] Critics say that the Opus 31 works show now a more pronounced "Beethovenian" sense of style that will become more evident in later, mature works. Beethoven - Sonata No. 16 in G Major Op. 31 Hello! Welcome to Top Classical Music, the most comprehensive channel specializing in classical music. Here you will find musics for studying, concentration, relaxing and working. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Beethoven

Piano Sonata No. 15 in D major, Op. 28, is a piano sonata by Ludwig van Beethoven. The name Pastoral or Pastorale became known through A. Cranz publishing of Beethoven's work, but was first coined by a London publisher, Broderip & Wilkinson.[1] While not as famous as its immediate predecessor, Piano Sonata No. 14, it is generally admired for its intricate technicality as well as for its beauty. The sonata takes roughly twenty-five minutes to play with its intended repeats. Published in 1801, the work is dedicated to the Count Joseph von Sonnenfels. Beethoven - Sonata No. 15 in D Major Hello! Welcome to Top Classical Music, the most comprehensive channel specializing in classical music. Here you will find musics for studying, concentration, relaxing and working. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Beethoven

The Piano Sonata No. 9 in E major, Op. 14, No. 1, is an early-period work by Ludwig van Beethoven, dedicated to Baroness Josefa von Braun, one of his patrons at that time. It was composed in 1798 and arranged for string quartet by the composer in 1801 (Hess 34), the result containing more quartet-like passagework and in the more comfortable key of F major. The sonata is in three movements: Allegro in E major Allegretto in E minor with a trio in C major (which returns in the coda) Rondo – Allegro comodo in E major. The first movement opens with a series of ascending fourths in the right hand, followed by a quartet-like echoing of a phrase in different octaves. The second theme, in B major, is based on a descending run followed by an ascending chromatic run. The development is full of sixteenth-note arpeggios in the left hand, and sixteenth-note left-hand scales accompany the start of the recapitulation, but the movement ends quietly. The second movement is minuet-like; the main section ends in the tonic major. The first time, this leads without intermediate modulation to the trio, headed Maggiore, in C; after its return, the coda briefly quotes the C major tune before returning to E minor. Anton Schindler recalled that Beethoven would play the E-minor section furiously, before pausing at length on the E-major chord and giving a calmer account of the Maggiore.[1] The third movement is in a lively sonata rondo form. On its final return, the main theme is syncopated against triplets. Not withstanding its seeming simplicity, this sonata introduces the "Sturm und Drang" character that became so commonly identified with Beethoven. He adds drama both in the contrast between the lyrical passages that follow very active, textured thematic sections. Furthermore, the contrasting dynamics and variation between major and minor, between using the parallel minor and the subdominant of its relative major (E minor to C major). These were new techniques that offer a hint of the innovations that Beethoven brought to end the Classical era and begin the Romantic era. Beethoven - Piano Sonata No. 9 in E Op. 14 Hello! Welcome to Top Classical Music, the most comprehensive channel specializing in classical music. Here you will find musics for studying, concentration, relaxing and working. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Beethoven

Ludwig van Beethoven; baptised 17 December 1770 – 26 March 1827) was a German composer and pianist; his music is amongst the most performed of the classical repertoire, and he is one of the most admired composers in the history of Western music. His works span the transition from the classical period to the romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. The "early" period in which he forged his craft, is typically seen to last until 1802. His "middle" period, (sometimes characterised as "heroic") showing an individual development from the "classical" styles of Joseph Haydn and Wolfgang Amadeus Mozart, covers the years 1802 to 1812, during which he increasingly suffered from deafness. In the "late" period from 1812 to his death in 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age, and he was initially harshly and intensively taught by his father Johann van Beethoven. He was later taught by the composer and conductor Christian Gottlob Neefe, under whose tuition he published his first work, a set of keyboard variations, in 1783. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended and taught piano. At age 21, he moved to Vienna, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and he was soon courted by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number) in 1795. His first major orchestral work, the First Symphony, appeared in 1800, and his first set of string quartets was published in 1801. During this period, his hearing began to deteriorate, but he continued to conduct, premiering his Third and Fifth Symphonies in 1804 and 1808, respectively. His Violin Concerto appeared in 1806. His last piano concerto (No. 5, Op. 73, known as the 'Emperor'), dedicated to his frequent patron Archduke Rudolf of Austria, was premiered in 1810, but not with Beethoven as soloist. He was almost completely deaf by 1814, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his "Heiligenstadt Testament" (1802) to his brothers and his unsent love letter to an unknown "Immortal Beloved" (1812). In the years from 1810, increasingly less socially involved, Beethoven composed many of his most admired works including his later symphonies and his mature chamber music and piano sonatas. His only opera, Fidelio, which had been first performed in 1805, was revised to its final version in 1814. He composed his Missa Solemnis in the years 1819–1823, and his final, Ninth, Symphony, one of the first examples of a choral symphony, in 1822–1824. Written in his last years, his late string quartets of 1825–26 are amongst his final achievements. After some months of bedridden illness he died in 1827. Beethoven's works remain mainstays of the classical music repertoire. Ludwig van Beethoven 11 Bagatelles Op. 119 For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Beethoven

Ludwig van Beethoven; baptised 17 December 1770 – 26 March 1827) was a German composer and pianist; his music is amongst the most performed of the classical repertoire, and he is one of the most admired composers in the history of Western music. His works span the transition from the classical period to the romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. The "early" period in which he forged his craft, is typically seen to last until 1802. His "middle" period, (sometimes characterised as "heroic") showing an individual development from the "classical" styles of Joseph Haydn and Wolfgang Amadeus Mozart, covers the years 1802 to 1812, during which he increasingly suffered from deafness. In the "late" period from 1812 to his death in 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age, and he was initially harshly and intensively taught by his father Johann van Beethoven. He was later taught by the composer and conductor Christian Gottlob Neefe, under whose tuition he published his first work, a set of keyboard variations, in 1783. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended and taught piano. At age 21, he moved to Vienna, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and he was soon courted by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number) in 1795. His first major orchestral work, the First Symphony, appeared in 1800, and his first set of string quartets was published in 1801. During this period, his hearing began to deteriorate, but he continued to conduct, premiering his Third and Fifth Symphonies in 1804 and 1808, respectively. His Violin Concerto appeared in 1806. His last piano concerto (No. 5, Op. 73, known as the 'Emperor'), dedicated to his frequent patron Archduke Rudolf of Austria, was premiered in 1810, but not with Beethoven as soloist. He was almost completely deaf by 1814, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his "Heiligenstadt Testament" (1802) to his brothers and his unsent love letter to an unknown "Immortal Beloved" (1812). In the years from 1810, increasingly less socially involved, Beethoven composed many of his most admired works including his later symphonies and his mature chamber music and piano sonatas. His only opera, Fidelio, which had been first performed in 1805, was revised to its final version in 1814. He composed his Missa Solemnis in the years 1819–1823, and his final, Ninth, Symphony, one of the first examples of a choral symphony, in 1822–1824. Written in his last years, his late string quartets of 1825–26 are amongst his final achievements. After some months of bedridden illness he died in 1827. Beethoven's works remain mainstays of the classical music repertoire. Ludwig van Beethoven String Quartet No. 9 in C Op. 59 No. 3 For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Beethoven

The Polonaise in C major, Op. 89, by Ludwig van Beethoven is a polonaise for solo piano, published in 1815. He composed it in December 1814, at a time when the polonaise was becoming a popular dance and class marker among the European nobility.[1] Beethoven was presented as a prominent artist at the ongoing Congress of Vienna, where he met the visiting Russian Empress Elizabeth Alexeievna. He dedicated the polonaise to the Empress, and was compensated with a sum of 50 ducats. The piece is Beethoven's first and only published standalone polonaise, and is notable as a precursor to Chopin's more well-known polonaises. Ludwig van Beethoven Polonaise in C Op 89 - Alla polacca vivace For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Beethoven

Ludwig van Beethoven; baptised 17 December 1770 – 26 March 1827) was a German composer and pianist; his music is amongst the most performed of the classical repertoire, and he is one of the most admired composers in the history of Western music. His works span the transition from the classical period to the romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. The "early" period in which he forged his craft, is typically seen to last until 1802. His "middle" period, (sometimes characterised as "heroic") showing an individual development from the "classical" styles of Joseph Haydn and Wolfgang Amadeus Mozart, covers the years 1802 to 1812, during which he increasingly suffered from deafness. In the "late" period from 1812 to his death in 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age, and he was initially harshly and intensively taught by his father Johann van Beethoven. He was later taught by the composer and conductor Christian Gottlob Neefe, under whose tuition he published his first work, a set of keyboard variations, in 1783. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended and taught piano. At age 21, he moved to Vienna, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and he was soon courted by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number) in 1795. His first major orchestral work, the First Symphony, appeared in 1800, and his first set of string quartets was published in 1801. During this period, his hearing began to deteriorate, but he continued to conduct, premiering his Third and Fifth Symphonies in 1804 and 1808, respectively. His Violin Concerto appeared in 1806. His last piano concerto (No. 5, Op. 73, known as the 'Emperor'), dedicated to his frequent patron Archduke Rudolf of Austria, was premiered in 1810, but not with Beethoven as soloist. He was almost completely deaf by 1814, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his "Heiligenstadt Testament" (1802) to his brothers and his unsent love letter to an unknown "Immortal Beloved" (1812). In the years from 1810, increasingly less socially involved, Beethoven composed many of his most admired works including his later symphonies and his mature chamber music and piano sonatas. His only opera, Fidelio, which had been first performed in 1805, was revised to its final version in 1814. He composed his Missa Solemnis in the years 1819–1823, and his final, Ninth, Symphony, one of the first examples of a choral symphony, in 1822–1824. Written in his last years, his late string quartets of 1825–26 are amongst his final achievements. After some months of bedridden illness he died in 1827. Beethoven's works remain mainstays of the classical music repertoire. Ludwig van Beethoven Cello Sonata No. 4 in C Op. 102 No. 1 For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Beethoven

The Symphony No. 4 in B-flat major, Op. 60, is a symphony in four movements composed by Ludwig van Beethoven in the summer of 1806.[1] It was premiered in March 1807 at a private concert at the home of Joseph Franz von Lobkowitz. The work was dedicated to Count Franz von Oppersdorff, a relative of Beethoven's patron, Prince Lichnowsky. The Count met Beethoven when he traveled to Lichnowsky's summer home, where Beethoven was staying. Von Oppersdorff listened to Beethoven's Symphony No. 2 in D major, and liked it so much that he offered a large amount of money for Beethoven to compose a new symphony for him. Beethoven undertook the new work during the summer of 1806 and completed it in roughly a month, while also working on the Fourth Piano Concerto and revising his opera Fidelio, then still known as Leonore. The dedication was made to "the Silesian nobleman Count Franz von Oppersdorff". Ludwig van Beethoven Symphony No. 4 1. Adagio - Allegro vivace 13:28 2. Adagio 10:37 3. Menuetto: Allegro vivace - Trio un poco meno allegro 5:58 4. Allegro ma non troppo 7:10 For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Beethoven

Ludwig van Beethoven - Mass In C Flat Opus 86 Ludwig van Beethoven composed the Mass in C major, Op. 86, to a commission from Prince Nikolaus Esterházy II in 1807. The mass, scored for four vocal soloists, choir and orchestra, was premiered that year by the Prince's musical forces in Eisenstadt. Beethoven performed parts of it in his 1808 concert featuring the premieres of four major works including his Fifth Symphony. The mass was published in 1812 by Breitkopf & Härtel. While the Prince who commissioned the mass was not pleased, the contemporary critic E. T. A. Hoffmann appreciated the "expression of a childlike serene mind", and Michael Moore notes the music's "directness and an emotional content". For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Beethoven