Frédéric Chopin's Fantaisie in F minor, Op. 49, is a single-movement work for the piano, composed in 1841, when he was 31 years old. From Chopin's letters it is known that he used the name "fantasy" to show some sort of freedom from rules and give a Romantic expression. Frédéric Chopin continued the tradition of a self-contained movement in his Fantaisie. This Fantaisie is one of Chopin's longest and greatest works. Only his Polonaise-Fantaisie, sonatas, and piano concertos are longer.
This work belongs to the Fantasy form, a composition free in form and inspiration. It begins with a solemn marching theme that eventually plunges into a passionate and virtuosic section, marked poco doppio movimento, still with elements of marching, but more triumphant and positive in mood. About halfway through the piece occurs a slow and sombre chorale-like section in B major, before the previous section is restated. After a short, quiet and sweet statement followed by a final flourish the work ends in a plagal cadence in A-flat major, the relative key. This piece is 11-14 minutes long.
Chopin - Fantasy Op. 49
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Frédéric Chopin's Berceuse, Op. 57, is a lullaby to be played on the piano. He composed it in 1843/44 as variations in D-flat major. Chopin originally called his work Variantes. Berceuse was first published in Paris in 1844 by Joseph Meissonnier, dedicated to Élise Gavard, and appeared in London and Leipzig the following year.
Written late in his career, the lyrical piece features complex pianistic figuration in the continuous flow of variations on a calm bass in always soft dynamics, shaping the music by texture and sonority.
Chopin began the composition in the summer of 1843 at Nohant, where he stayed with George Sand. As the first manuscript was held by the singer Pauline Viardot, the composition may have been inspired by her little daughter, Louisette, who also spent the summer there while her mother was away giving concerts. The theme of the Berceuse echos a song that Chopin may have heard in his childhood, "Już miesiąć zeszedł, psy się uśpily" (The moon now has risen, the dogs are asleep).
Chopin completed Berceuse in 1844, shortly before his Piano Sonata in B minor. It is a series of 16 variations on an ostinato ground bass. In an early sketch of the composition, the "variantes" were even assigned numbers. Chopin first began the work with the theme but wrote two measures of introduction later.
At first the composer titled the work Variantes, but the title was altered for publication to the current Berceuse, "berceuse" literally meaning "Cradle song". It was first published by Joseph Meissonnier of Paris in 1844 and was dedicated to Élise Gavard (1824–1900), saying on the title page: "Berceuse / pour le piano / dédié à / Mademoiselle Élise Gavard / par / F. CHOPIN." The first publication in England was by Wessel & Co. in London on 22 June 1845, and the first publication in Germany was by Breitkopf & Härtel in Leipzig in July 1845.
Chopin - Berceuse in D flat major Op. 57
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Frédéric François Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation."
Chopin was born Fryderyk Franciszek Chopin in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafter—in the last 18 years of his life—he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many of his other musical contemporaries (including Robert Schumann). In 1835, Chopin obtained French citizenship. After a failed engagement to Maria Wodzińska from 1836 to 1837, he maintained an often troubled relationship with the French writer Amantine Dupin (known by her pen name, George Sand). A brief and unhappy visit to Majorca with Sand in 1838–39 would prove one of his most productive periods of composition. In his final years, he was supported financially by his admirer Jane Stirling, who also arranged for him to visit Scotland in 1848. For most of his life, Chopin was in poor health. He died in Paris in 1849 at the age of 39, probably of pericarditis aggravated by tuberculosis.
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some 19 songs set to Polish lyrics. His piano writing was technically demanding and expanded the limits of the instrument: his own performances were noted for their nuance and sensitivity. Chopin invented the concept of the instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only posthumously. Among the influences on his style of composition were Polish folk music, the classical tradition of J.S. Bach, Mozart, and Schubert, and the atmosphere of the Paris salons of which he was a frequent guest. His innovations in style, harmony, and musical form, and his association of music with nationalism, were influential throughout and after the late Romantic period.
Chopin's music, his status as one of music's earliest superstars, his (indirect) association with political insurrection, his high-profile love-life, and his early death have made him a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying historical fidelity.
Classical Music for Reading - Chopin Collection
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Frédéric François Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation."
Chopin was born Fryderyk Franciszek Chopin in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafter—in the last 18 years of his life—he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many of his other musical contemporaries (including Robert Schumann). In 1835, Chopin obtained French citizenship. After a failed engagement to Maria Wodzińska from 1836 to 1837, he maintained an often troubled relationship with the French writer Amantine Dupin (known by her pen name, George Sand). A brief and unhappy visit to Majorca with Sand in 1838–39 would prove one of his most productive periods of composition. In his final years, he was supported financially by his admirer Jane Stirling, who also arranged for him to visit Scotland in 1848. For most of his life, Chopin was in poor health. He died in Paris in 1849 at the age of 39, probably of pericarditis aggravated by tuberculosis.
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some 19 songs set to Polish lyrics. His piano writing was technically demanding and expanded the limits of the instrument: his own performances were noted for their nuance and sensitivity. Chopin invented the concept of the instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only posthumously. Among the influences on his style of composition were Polish folk music, the classical tradition of J.S. Bach, Mozart, and Schubert, and the atmosphere of the Paris salons of which he was a frequent guest. His innovations in style, harmony, and musical form, and his association of music with nationalism, were influential throughout and after the late Romantic period.
Chopin's music, his status as one of music's earliest superstars, his (indirect) association with political insurrection, his high-profile love-life, and his early death have made him a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying historical fidelity.
The Best of Chopin
Tracklist:
1. Chopin - Albumleaf in E B 151
2. Chopin - Allegretto in F sharp major
3. Chopin - Allegro de concert Op. 46
4. Chopin - Ballade No. 1
5. Chopin - Barcarolle Op. 60
6. Chopin - Cantabile in Bb B 84
7. Chopin - Contredanse in Gb B 17
8. Chopin - Ecossaises Op. 72 No. 3
9. Chopin - Fantaisie - Impromptu Op. 66
10. Chopin - Fantasie Impromptu
11. Chopin - Grande valse brillante in E flat major Op. 18
12. Chopin - Largo in E flat major B 109
13. Chopin - Mazurka in B major Op. 56 No. 1
14. Chopin - Mazurka in C major Op. 56 No. 2
15. Chopin - Mazurka in C minor Op. 56 No. 3
16. Chopin - Mazurka in C sharp minor Op. 50
17. Chopin - Nocturne in E major Op. 62 No. 2
18. Chopin - Polonaise em Fa Sustenido Menor
19. Chopin - Polonaise For Piano No. 6 (Maestoso)
20. Chopin - Polonaise in B flat minor B 13
21. Chopin - Polonaise in C sharp minor Op. 26 No. 1
22. Chopin - Polonaise in E flat minor Op. 26 No. 2
23. Chopin - Polonaise in F sharp minor Op. 44
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Frédéric Chopin - Piano Concerto No. 1 (Allegro Maestoso)
The Piano Concerto No. 1 in E minor, Op. 11, is a piano concerto written by Frederic Chopin in 1830, when he was twenty years old. It was first performed on 11 October of that year, at the Teatr Narodowy (the National Theatre) in Warsaw, Poland, with the composer as soloist, during one of his “farewell” concerts before leaving Poland.
It was the first of Chopin's two piano concertos to be published, and was therefore given the designation of Piano Concerto “No. 1” at the time of publication, even though it was actually written immediately after the premiere of what was later published as Piano Concerto No. 2.
The concerto is scored for solo piano, pairs of flutes, oboes, clarinets, and bassoons, 4 horns, 2 trumpets, tenor trombone, timpani and strings. A typical performance lasts about 40 minutes.
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Frédéric François Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation."
Chopin was born Fryderyk Franciszek Chopin in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafter—in the last 18 years of his life—he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many of his other musical contemporaries, including Robert Schumann.
After a failed engagement to Maria Wodzińska from 1836 to 1837, he maintained an often troubled relationship with the French writer Amantine Dupin (known by her pen name, George Sand). A brief and unhappy visit to Majorca with Sand in 1838–39 would prove one of his most productive periods of composition. In his final years, he was supported financially by his admirer Jane Stirling, who also arranged for him to visit Scotland in 1848. For most of his life, Chopin was in poor health. He died in Paris in 1849 at the age of 39, probably of pericarditis aggravated by tuberculosis.
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some 19 songs set to Polish lyrics. His piano writing was technically demanding and expanded the limits of the instrument, his own performances noted for their nuance and sensitivity. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, the instrumental ballade (which Chopin created as an instrumental genre), études, impromptus, scherzos, preludes and sonatas, some published only posthumously. Among the influences on his style of composition were Polish folk music, the classical tradition of J. S. Bach, Mozart, and Schubert, and the atmosphere of the Paris salons of which he was a frequent guest. His innovations in style, harmony, and musical form, and his association of music with nationalism, were influential throughout and after the late Romantic period.
Chopin's music, his status as one of music's earliest celebrities, his indirect association with political insurrection, his high-profile love-life, and his early death have made him a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying historical fidelity.
Frédéric Chopin
Ecossaises Op. 72 No. 3
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Frédéric Chopin - Rondo for piano and orchestra Op. 14
Frédéric Chopin's Rondo à la Krakowiak in F major, Op. 14 is a composition for piano and orchestra. It was written in 1828 and dedicated to Princess Anna Zofia Sapieha, whose mother, Izabela Czartoryska, was influential in shaping the burgeoning Romantic aesthetic in Poland, particularly through the Temple of [Polish] Memory in Puławy. The piece begins with a soft, pentatonic section in 3/4 time, which introduces the lively syncopated krakowiak in its typical 2/4 meter.
The Rondo à la Krakowiak was written in Warsaw in 1828 under the guidance of Józef Elsner. It has received a number of recordings but still remains less known than most of Chopin's other works.
Chopin quotes Niccolò Paganini's Caprice No. 24 during this work, and includes a variation on the quotation.
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Frédéric Chopin - Valse mélancolique "Le Regret" Op. 332
Frédéric François Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation."
Chopin was born Fryderyk Franciszek Chopin in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafter—in the last 18 years of his life—he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many of his other musical contemporaries, including Robert Schumann.
After a failed engagement to Maria Wodzińska from 1836 to 1837, he maintained an often troubled relationship with the French writer Amantine Dupin (known by her pen name, George Sand). A brief and unhappy visit to Majorca with Sand in 1838–39 would prove one of his most productive periods of composition. In his final years, he was supported financially by his admirer Jane Stirling, who also arranged for him to visit Scotland in 1848. For most of his life, Chopin was in poor health. He died in Paris in 1849 at the age of 39, probably of pericarditis aggravated by tuberculosis.
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some 19 songs set to Polish lyrics. His piano writing was technically demanding and expanded the limits of the instrument, his own performances noted for their nuance and sensitivity. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, the instrumental ballade (which Chopin created as an instrumental genre), études, impromptus, scherzos, preludes and sonatas, some published only posthumously. Among the influences on his style of composition were Polish folk music, the classical tradition of J. S. Bach, Mozart, and Schubert, and the atmosphere of the Paris salons of which he was a frequent guest. His innovations in style, harmony, and musical form, and his association of music with nationalism, were influential throughout and after the late Romantic period.
Chopin's music, his status as one of music's earliest celebrities, his indirect association with political insurrection, his high-profile love-life, and his early death have made him a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying historical fidelity.
For more:
http://www.melhoresmusicasclassicas.blogspot.com
#MusicHistory
#ClassicalMusic
#Chopin
Frédéric François Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation."
Chopin was born Fryderyk Franciszek Chopin in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafter—in the last 18 years of his life—he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many of his other musical contemporaries, including Robert Schumann.
After a failed engagement to Maria Wodzińska from 1836 to 1837, he maintained an often troubled relationship with the French writer Amantine Dupin (known by her pen name, George Sand). A brief and unhappy visit to Majorca with Sand in 1838–39 would prove one of his most productive periods of composition. In his final years, he was supported financially by his admirer Jane Stirling, who also arranged for him to visit Scotland in 1848. For most of his life, Chopin was in poor health. He died in Paris in 1849 at the age of 39, probably of pericarditis aggravated by tuberculosis.
All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some 19 songs set to Polish lyrics. His piano writing was technically demanding and expanded the limits of the instrument, his own performances noted for their nuance and sensitivity. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, the instrumental ballade (which Chopin created as an instrumental genre), études, impromptus, scherzos, preludes and sonatas, some published only posthumously. Among the influences on his style of composition were Polish folk music, the classical tradition of J. S. Bach, Mozart, and Schubert, and the atmosphere of the Paris salons of which he was a frequent guest. His innovations in style, harmony, and musical form, and his association of music with nationalism, were influential throughout and after the late Romantic period.
Chopin's music, his status as one of music's earliest celebrities, his indirect association with political insurrection, his high-profile love-life, and his early death have made him a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying historical fidelity.
Frédéric Chopin
Mazurka in A minor Op. 68
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Frédéric Chopin - Tarantelle, Op. 43
The Tarantelle in A-flat major, Op. 43 is a short piano piece in tarantella form, written by Frédéric Chopin in June 1841 and published in October 1841. It takes about 3 minutes to play.
The Tarantelle is a moto perpetuo marked Presto, and requires an advanced technique. It was inspired by Gioachino Rossini's song La Danza, also written in the tarantella's characteristic 6/8 rhythm. Chopin went to some lengths to ensure the time signature was the same as Rossini's, and he enlisted his friend Julian Fontana to check the best editions of the Rossini work for this detail. The manuscript shows Chopin changed his time signature from 12/8 to 6/8. There is no evidence the work was commissioned, nor was it dedicated to anyone.
Robert Schumann described it as being in "Chopin's most extravagant manner; we see before us the dancer, whirling as if possessed, until our senses reel. To be sure, nobody could call this music lovely, but we willingly forgive the master his wild fantasy. For is he not once in a while permitted to display the dark side of his soul?..."
Chopin himself said "I hope I won't write anything as dreadful too soon". Despite this self-criticism, it has become a recording favourite, although it is less frequently performed in recital. Accordionist Vicent Lemoine performed the "Tarantelle" with the title "Tarantela Napolitana", the instrumental piece is included in the homonymous album published by "Evangelio Musical".
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