Moritz Moszkowski
Piano Concerto in E major Op. 59
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Franz Schubert - Symphony No. 5
Franz Schubert's Symphony No. 5 in B♭ major, D. 485, was written mainly in September 1816 and completed on October 3, 1816. It was finished six months after the completion of his previous symphony.
Scored for one flute, two oboes, and two bassoons, along with two horns in B♭ and E♭ and strings. Of all of Schubert's symphonies, it is scored for the smallest orchestra. It is the only one of his symphonies which does not include clarinets, trumpets or timpani as part of the instrumentation.
In character, the writing is often said to resemble Mozart; Schubert was infatuated with the composer at the time he composed it, writing in his diary on June 13 of the year of composition, "O Mozart! immortal Mozart! what countless impressions of a brighter, better life hast thou stamped upon our souls!" This is reflected particularly in the lighter instrumentation, as noted above. Indeed, the instrumentation matches that of the first version (without clarinets) of Mozart's 40th symphony. For another example, there is a strong similarity between the opening themes of the second movement of D. 485 and the last movement of Mozart's Violin Sonata in F major, K. 377.
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Gioacchino Rossini - La gazza ladra (Overture)
La gazza ladra (The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on La pie voleuse by Théodore Baudouin d'Aubigny and Louis-Charles Caigniez. The composer Gioachino Rossini wrote quickly, and La gazza ladra was no exception. According to legend, before the first performance of the opera, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts, to complete the composition of the opera. As such, The Thieving Magpie is best known for the overture, which is musically notable for its use of snare drums. The unique inspiration in the melodies is extreme, famously used to bizarre and dramatic effect in Stanley Kubrick's A Clockwork Orange. It was referenced by Haruki Murakami in his work The Wind-Up Bird Chronicle. This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving magpie.
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Engelbert Humperdinck
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Wolfgang Amadeus Mozart - The Magic Flute (Overture)
The Magic Flute (German), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue. The work was premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death.
In this opera, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high ideals of Sarastro's community and seeks to join it. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, with the Queen and her cohorts vanquished. The earthy Papageno, who accompanies Tamino on his quest, fails the trials completely but is rewarded anyway with the hand of his ideal female companion, Papagena.
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Wolfgang Amadeus Mozart - Alleluia
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized.
He composed more than 600 works, many of which are acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is considered among the greatest classical composers of all time, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
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John Goss - Praise My Soul the King of Heaven
Praise, My Soul, the King of Heaven is a Christian hymn. Its text, which draws from Psalm 103, was written by Anglican divine (clergyman) Henry Francis Lyte. The hymn is frequently sung in the United Kingdom and was used in the 1947 royal wedding of Princess Elizabeth, now Queen Elizabeth II, and Prince Philip, Duke of Edinburgh. It was also used as the opening hymn at the 2018 funeral of former U.S. President George H. W. Bush.
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Frédéric Chopin - Piano Concerto No. 1 (Allegro Maestoso)
The Piano Concerto No. 1 in E minor, Op. 11, is a piano concerto written by Frederic Chopin in 1830, when he was twenty years old. It was first performed on 11 October of that year, at the Teatr Narodowy (the National Theatre) in Warsaw, Poland, with the composer as soloist, during one of his “farewell” concerts before leaving Poland.
It was the first of Chopin's two piano concertos to be published, and was therefore given the designation of Piano Concerto “No. 1” at the time of publication, even though it was actually written immediately after the premiere of what was later published as Piano Concerto No. 2.
The concerto is scored for solo piano, pairs of flutes, oboes, clarinets, and bassoons, 4 horns, 2 trumpets, tenor trombone, timpani and strings. A typical performance lasts about 40 minutes.
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Domenico Zipoli - Missa Brevis
Domenico Zipoli (17 October 1688 – 2 January 1726) was an Italian Baroque composer who worked and died in Córdoba, in the Viceroyalty of Peru, Spanish Empire, (presently in Argentina). He became a Jesuit in order to work in the Reductions of Paraguay where he taught music among the Guaraní people. He is remembered as the most accomplished musician among Jesuit missionaries.
Zipoli was born in Prato, Italy, where he received elementary musical training. However, there are no records of him having entered the cathedral choir. In 1707, and with the patronage of Cosimo III, Grand Duke of Tuscany, he was a pupil of the organist Giovani Maria Casini in Florence. In 1708 he briefly studied under Alessandro Scarlatti in Naples, then Bologna and finally in Rome under Bernardo Pasquini. Two of his oratorios date to this early period: San Antonio di Padova (1712) and Santa Caterina, Virgine e martire (1714). Around 1715 he was made the organist of the Church of the Gesù (a Jesuit parish, the mother church for The Society of Jesus), in Rome, a prestigious post. At the very beginning of the following year, he finished his best known work, a collection of keyboard pieces titled Sonate d'intavolatura per organo e cimbalo.
Zipoli continues to be well known today for his keyboard music; many of them are well within the abilities of beginning to intermediate players, and appear in most standard anthologies. His Italian compositions have always been known but recently some of his South American church music was discovered in Chiquitos, Bolivia: two Masses, two psalm settings, three Office hymns, a Te Deum laudamus and other pieces. A Mass copied in Potosí, Bolivia in 1784, and preserved in Sucre, Bolivia, seems a local compilation based on the other two Masses. His dramatic music, including two complete oratorios and portions of a third one, is mostly gone. Three sections of the 'Mission opera' San Ignacio de Loyola – compiled by Martin Schmid in Chiquitos many years after Zipoli's death, and preserved almost complete in local sources – have been attributed to Zipoli.
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Leopold Kozeluch
Leopold Koželuch (Czech pronunciation: [ˈlɛopolt ˈkoʒɛlux], born Jan Antonín Koželuh, alternatively also Leopold Koželuh, Leopold Kotzeluch) (26 June 1747 – 7 May 1818) was a Czech composer and music teacher.
He was born in the town of Velvary, in Bohemia (present-day Czech Republic). He moved to Prague to further his musical education, before moving in Vienna in 1778, where he was based for the remainder of his career. In Vienna he achieved renown as a composer, pianist and teacher, and from 1792 until his death in 1818 he held royal appointments as Kammer Kapellmeister (music director) and Hofmusik Compositor (composer), as Wolfgang Amadeus Mozart’s successor.
Koželuch's compositional output included sonatas and concertos for keyboard, the instrument in which he specialised, as well as chamber music, choral music and opera.
Sinfonia Concertante in E flat major
Allegro 00:00
Andantino con variazioni 15:59
Finale, Rondo allegretto 22:19
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