Franz Liszt, the legendary 19th-century composer, and virtuoso pianist, revolutionized piano music with his technical brilliance and innovative compositions. His works span a wide range of styles and forms, showcasing his extraordinary creativity and profound musical insight. Here are ten of his most celebrated compositions.
Franz Liszt, one of the most renowned composers and virtuoso pianists of the 19th century, was born on October 22, 1811, in the village of Raiding, in the Kingdom of Hungary (now in Austria). His father, Ádám Liszt, was an amateur musician who played the piano, violin, and guitar, and worked as an overseer on the Esterházy estate. Recognizing Franz's prodigious talent early on, Ádám provided his son with his initial musical training.
By the age of six, Liszt was already showing remarkable musical abilities, composing simple pieces and performing in public. His talent caught the attention of Hungarian nobility, who sponsored his musical education. In 1821, the Liszt family moved to Vienna, where Franz studied under the legendary Carl Czerny for piano and Antonio Salieri for composition. His performances in Vienna were met with critical acclaim, earning him the admiration of luminaries such as Ludwig van Beethoven and Carl Czerny.
Franz Liszt, a towering figure in the realm of classical music, was born on October 22, 1811, in Raiding, Hungary (now part of Austria). His life was a symphony of talent, passion, and innovation, leaving an indelible mark on the world of music.
From an early age, Liszt showed prodigious musical abilities. He began piano lessons with his father at the age of six and gave his first public performance at the age of nine. Recognizing his son's exceptional talent, Liszt's father sought out professional tutelage for him, taking him to Vienna to study with Carl Czerny and Antonio Salieri. By his teenage years, Liszt had already established himself as a virtuoso pianist, captivating audiences across Europe with his extraordinary skill and electrifying performances.
Franz Liszt, a Hungarian composer and piano virtuoso of the Romantic era, left an indelible mark on the world of classical music. Known for his extraordinary technical prowess and innovative compositions, Liszt's music continues to captivate audiences today. In this blog post, we delve into the world of Liszt and explore his 10 best songs, showcasing his brilliance, passion, and versatility as a composer.
Franz Liszt was one of the most influential and original composers of the 19th century. He was also a virtuoso pianist, a music teacher, a conductor, an organist, and a philanthropist. He was born in 1811 in Raiding, Hungary, and showed remarkable musical talent from an early age. He learned to play the piano from his father, who was a musician in the service of Prince Nicolas Eszterházy. He gave his first public concert at the age of nine and soon attracted the attention and support of wealthy patrons who sponsored his musical education.
Grand duo concertant sur la Romance de M. Lafont 'Le marin', S.128 is a piece for solo violin and piano composed around 1849 by Franz Liszt. It has 2 sections which last 15 minutes in a typical performance.
Franz Liszt was a Hungarian pianist and composer of enormous influence and originality. He was renowned in Europe during the Romantic movement.
By the time Franz Liszt was 9 years old, he was performing in concert halls. As an adult, he toured extensively throughout Europe. He had an affair and children with Marie díAgoult and later lived with Princess Carolyne zu Sayn-Wittgenstein. By his death, he had written more than 700 compositions.
Liszt was born on October 22, 1811, in Raiding, Hungary. His father, Adam, played the cello, as well as several other instruments, and passionately taught Franz how to play piano. By the age of 6, young Liszt was recognized as a child prodigy; by the age of 8, he was composing elementary works; and by the age of 9, he was appearing in concerts. His father worked as a secretary for Prince Nicholas Esterhazy, and, after the boy played for a group of wealthy sponsors, he asked the prince for extended leave so he could devote his time to enriching his son's musical education.
Father and son traveled to Vienna, and Antonio Salieri, Mozart's old rival, quickly became a proponent of Liszt's genius. Upon hearing the boy play at a private home, he offered to train him in composition free of charge. For several months, the young pianist held performances for both musicians and kings. His most impressive talent was his uncanny ability to improvise an original composition from a melody suggested by an audience member. At the age of 12, Liszt traveled with his father to Paris to seek admittance to the Paris Conservatory. The admissions council denied him a place in the school on the grounds that he was a foreigner. His father, ever determined, turned to Ferdinando Paer to teach his son advanced composition. It was during this time that Liszt wrote his first and only opera, Don Sanche.
In 1826, Adam Liszt passed away. The event proved to be extremely traumatic for the 15- year-old Franz Liszt, and it necessitated that he shares their one-bedroom Parisian apartment with his mother. In the years that followed, Franz Liszt lost interest in music to such a degree that he began to question his profession. He turned away from performing and started to read profusely, delving into books on the subjects of art and religion. What he read during that time would greatly influence his later musical works.
In 1833, at the age of 22, Liszt met the Comtesse Marie d'Agoult. Inspired by love and nature, he composed several impressions of the Swiss countryside in "Album d'un voyageur," which would later surface as the "Années de Pèlerinage" ("Years of Pilgrimage"). In 1834, Liszt debuted his piano compositions "Harmonies poétiques et religieuses" and a set of three "Apparitions."
Strengthened by new works and several public performances, Liszt began to take Europe by storm. His reputation was bolstered even further by the fact that he gave away many of his concert proceeds to charities and humanitarian causes. For example, when in 1842 he found out about the Great Fire of Hamburg, which had destroyed much of the city, he gave concerts to create aid for its thousands of homeless. On a personal level, however, matters were less than glorious for Liszt. His relationship with Marie d'Agoult, which by that point had produced three children, finally ended. In 1847, while in Kiev, Liszt met Princess Carolyne zu Sayn-Wittgenstein. Her influence on him was dramatic; she encouraged him to stop touring and, instead, teach and compose, so he could have a more domestic life with her. Liszt gave his final concert for pay at Elisavetgrad in September, and then spent the winter with the princess at her estate in Woronince.
The next year, the couple moved to Weimar, Germany, and Liszt began to concentrate on a higher missionóthe creation of new musical forms. His most famous achievement during this time was the creation of what would become known as the symphonic poem, a type of orchestral musical piece that illustrates or evokes a poem, a story, a painting, or other nonmusical source. Aesthetically, the symphonic poem is in some ways related to opera; it is not sung, but it does unite music and drama. Liszt's new works inspired eager pupils to seek his guidance. For the next 10 years, Liszt's radical and innovative works found their way into the concert halls of Europe, winning him staunch followers and violent adversaries.
Liszt - Grand duo concertant sur le 'Le marin', S.128
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Liszt Biography - Music Collection - Music | History
Franz Liszt was a Hungarian pianist and composer of enormous influence and originality. He was renowned in Europe during the Romantic movement.
By the time Franz Liszt was 9 years old, he was performing in concert halls. As an adult, he toured extensively throughout Europe. He had an affair and children with Marie díAgoult and later lived with Princess Carolyne zu Sayn-Wittgenstein. By his death, he had written more than 700 compositions.
Liszt was born on October 22, 1811, in Raiding, Hungary. His father, Adam, played the cello, as well as several other instruments, and passionately taught Franz how to play piano. By the age of 6, young Liszt was recognized as a child prodigy; by the age of 8, he was composing elementary works; and by the age of 9, he was appearing in concerts. His father worked as a secretary for Prince Nicholas Esterhazy, and, after the boy played for a group of wealthy sponsors, he asked the prince for extended leave so he could devote his time to enriching his son's musical education.
Father and son traveled to Vienna, and Antonio Salieri, Mozart's old rival, quickly became a proponent of Liszt's genius. Upon hearing the boy play at a private home, he offered to train him in composition free of charge. For several months, the young pianist held performances for both musicians and kings. His most impressive talent was his uncanny ability to improvise an original composition from a melody suggested by an audience member. At the age of 12, Liszt traveled with his father to Paris to seek admittance to the Paris Conservatory. The admissions council denied him a place in the school on the grounds that he was a foreigner. His father, ever determined, turned to Ferdinando Paer to teach his son advanced composition. It was during this time that Liszt wrote his first and only opera, Don Sanche.
In 1826, Adam Liszt passed away. The event proved to be extremely traumatic for the 15- year-old Franz Liszt, and it necessitated that he shares their one-bedroom Parisian apartment with his mother. In the years that followed, Franz Liszt lost interest in music to such a degree that he began to question his profession. He turned away from performing and started to read profusely, delving into books on the subjects of art and religion. What he read during that time would greatly influence his later musical works.
In 1833, at the age of 22, Liszt met the Comtesse Marie d'Agoult. Inspired by love and nature, he composed several impressions of the Swiss countryside in "Album d'un voyageur," which would later surface as the "Années de Pèlerinage" ("Years of Pilgrimage"). In 1834, Liszt debuted his piano compositions "Harmonies poétiques et religieuses" and a set of three "Apparitions."
Strengthened by new works and several public performances, Liszt began to take Europe by storm. His reputation was bolstered even further by the fact that he gave away many of his concert proceeds to charities and humanitarian causes. For example, when in 1842 he found out about the Great Fire of Hamburg, which had destroyed much of the city, he gave concerts to create aid for its thousands of homeless. On a personal level, however, matters were less than glorious for Liszt. His relationship with Marie d'Agoult, which by that point had produced three children, finally ended. In 1847, while in Kiev, Liszt met Princess Carolyne zu Sayn-Wittgenstein. Her influence on him was dramatic; she encouraged him to stop touring and, instead, teach and compose, so he could have a more domestic life with her. Liszt gave his final concert for pay at Elisavetgrad in September, and then spent the winter with the princess at her estate in Woronince.
In 1865, Liszt received the tonsure, the traditional haircut kept by monks during that period, and was from then on sometimes called "the Abbé Liszt." On July 31, 1865, he received the four minor orders in the Catholic Church. He continued, however, to work on new compositions, and in later years, he established the Royal National Hungarian Academy of Music in Budapest. Liszt's works in his later years were simpler in form, yet more extreme in harmony. He died on July 31, 1886, in Bayreuth, Germany.
Tracklist:
1 - Liszt - Grand Paganini Etude No. 1 - Gm
2- Liszt - Grand Paganini Etude No. 6 - Am
3- Liszt - Transcendental Etudes, S. 139 - 11. Harmonies du Soir
4- Liszt - Grand duo concertant sur le 'Le marin', S.128
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Liszt - Wagner - Tristan and Isolde - Liebestod, S 447 - Music | History
Tristan und Isolde (Tristan and Isolde), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hof- und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "eine Handlung" (literally a drama, a plot or an action), which was the equivalent of the term used by the Spanish playwright Calderón for his dramas.
Wagner's composition of Tristan und Isolde was inspired by the philosophy of Arthur Schopenhauer (particularly The World as Will and Representation), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as one of the peaks of the operatic repertoire, Tristan was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour and harmonic suspension.
The opera was enormously influential among Western classical composers and provided direct inspiration to composers such as Gustav Mahler, Richard Strauss, Karol Szymanowski, Alban Berg, Arnold Schoenberg and Benjamin Britten. Other composers like Claude Debussy, Maurice Ravel and Igor Stravinsky formulated their styles in contrast to Wagner's musical legacy. Many see Tristan as the beginning of the move away from common practice harmony and tonality and consider that it lays the groundwork for the direction of classical music in the 20th century.[1] Both Wagner's libretto style and music were also profoundly influential on the symbolist poets of the late 19th century and early 20th century.
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Liszt - Ave Maria I, S. 20 - 2nd version - Music | History
"Ellens dritter Gesang" ("Ellens Gesang III", D. 839, Op. 52, No. 6, 1825), in English: "Ellen's Third Song", was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's popular epic poem The Lady of the Lake, loosely translated into German.
It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title "Ave Maria" (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
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Liszt - Konzertetüden, S. 145 - 1. Waldesrauschen - Music | History
Two Concert Études (Zwei Konzertetüden), S.145, is a set of two piano works composed in Rome around 1862/63 by Franz Liszt and dedicated to Dionys Pruckner, but intended for Sigmund Lebert and Ludwig Stark’s Klavierschule. It consists of two parts: "Waldesrauschen" (Forest Murmurs) and "Gnomenreigen" (Dance of the Gnomes).
"Waldesrauschen", in D-flat major, is the first of the two pieces in this set. It is known for its beauty and imitation of wind in the forest.
"Gnomenreigen" is in F-sharp minor. It is known for its technical difficulty in its fast and soft passages, where the pianist imitates the sound of gnomes. It first has a theme in F-sharp minor consisting of grace notes followed by eights. Then it goes to a fast, playful theme in A major. It repeats themes, and also has a theme with repeating bass notes, such as the sixty consecutive low Ds. Finally, the A major theme is repeated for a climactic part of the étude, this time in F-sharp major. The piece was heard in an orchestral arrangement as part of the Little Mermaid Ballet in the 1952 Danny Kaye film, Hans Christian Andersen.
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