Ludwig van Beethoven - Symphony No. 3
The Symphony No. 3 in E♭ major, Op. 55, (also Italian Sinfonia Eroica, Heroic Symphony) is a symphony in four movements by Ludwig van Beethoven. One of the composer's most celebrated works, the Eroica symphony is a large-scale composition that marked the beginning of Beethoven's creative middle period.
Composed mainly in 1803–1804, the work is grounded in the Classical symphonic tradition while also stretching boundaries of form, length, harmony, and perceived emotional and possibly cultural content. It has therefore widely been considered an important landmark in the transition between the Classical period and the Romantic era.
1. Allegro con Brio
2. Adagio Assai
3. Scherzo: Allegro vivace
4. Finale: Allegro Molto
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Piotr Ilitch Tchaikovsky - Symphony No. 5 in E minor
The Symphony No. 5 in E minor, Op. 64 by Pyotr Ilyich Tchaikovsky was composed between May and August 1888 and was first performed in St Petersburg at the Mariinsky Theatre on November 17 of that year with Tchaikovsky conducting. It is dedicated to Theodor Avé-Lallemant.
1. Andante - Allegro con anima
2. Andante cantabile con alcuna licenza
3. Valsa: Allegro moderato
4. Final: Andante maestoso - Allegro vivace
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Johann Strauss II (born Johann Baptist Strauss; 25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger, the Son (German: Sohn), son of Johann Strauss I, was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century.
Strauss had two younger brothers, Josef and Eduard Strauss, who became composers of light music as well, although they were never as well known as their elder brother. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", and the "Tritsch-Tratsch-Polka". Among his operettas, Die Fledermaus and Der Zigeunerbaron are the best known.
Johann Strauss
Tracklist:
1. Abertura de la opereta: O Barão Cigano
2. Polka de Ana, Op. 117
3. Valsa do Imperador, Op. 437
4. Klange aus der Raimundzeit, Op. 479
5. Polka Tritsch-Tratsch, Op. 214
6. Vinho, Mulheres e Canto, Op. 333
7. Polka Champagne, Op. 211
8. Czardas da Opereta: O Morcego
9. Polka Im Krapfenwald'l, Op. 336
10. Abertura de Opereta: Uma noite em Veneza
11. Vinho, Mulheres e Canto, Op. 333
12. Valsa do Imperador, Op. 437
13. Valsas - Canções de, Amor Op. 114
14. Sangue Vienense, Op. 354
15. Rosas do Sul, Op. 388
16. Valsas do Tesouro, Op 418
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Antonio Vivaldi - Concerto for flute and orchestra op.10 N°6
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.
Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later.
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Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.
Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later.
Concerto for flute and orchestra Op.10 No. 5
1- Allegro ma non tanto
2- Largo e cantabile
3- Allegro
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Ludwig van Beethoven
The Violin Sonata No. 5 in F major, Opus 24, is a violin sonata by Ludwig van Beethoven. It is often known as the "Spring Sonata" (Frühlingssonate), and was published in 1801. It was dedicated to Count Moritz von Fries, a patron to whom Beethoven also dedicated two other works of the same year—the C major string quintet and the fourth violin sonata—as well as his later seventh symphony.
The Scherzo and its trio are particularly brief. The entire sonata takes approximately 22 minutes to perform. The name "Spring Sonata" was given to it after Beethoven's death.
The Allegro movement is featured in the stage show Fame and in the syllabus of grade 8 of ABRSM's bowed strings exam from 2016 till 2019.
While reviewing the cpo recording of composer Ferdinand Ries's violin sonatas Op. 8 No. 1, Op. 16, No. 2 and Op. 71, Jonathan Woolf commented that the Op. 8 No. 1 sonata was heavily inspired by this work.
Primavera: Allegro
Spring: Allegro
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Robert Schumann - Fantasy Pieces: Des Abends (In the Evening)
Robert Schumann (8 June 1810 – 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
In 1840, after a long and acrimonious legal battle with Wieck, who opposed the marriage, Schumann married Wieck's daughter Clara. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms.
Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies, one opera, and other orchestral, choral, and chamber works. His best-known works include Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in C. Schumann was known for infusing his music with characters through motifs, as well as references to works of literature. These characters bled into his editorial writing in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication that he co-founded.
Schumann suffered from a mental disorder that first manifested in 1833 as a severe melancholic depressive episode—which recurred several times alternating with phases of "exaltation" and increasingly also delusional ideas of being poisoned or threatened with metallic items. What is now thought to have been a combination of bipolar disorder and perhaps mercury poisoning led to "manic" and "depressive" periods in Schumann's compositional productivity. After a suicide attempt in 1854, Schumann was admitted at his own request to a mental asylum in Endenich near Bonn. Diagnosed with psychotic melancholia, he died of pneumonia two years later at the age of 46, without recovering from his mental illness.
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Antonio Vivaldi - La Tempesta Di Mare: Presto II
La tempesta di mare ("The Storm at Sea"), a flute concerto in F Major (RV 433; P. 261), is the first of Six Flute Concertos, Op. 10 by Antonio Vivaldi, published in the late 1720s. La tempesta di mare may also refer to two earlier versions of the same concerto, RV 98, a concerto da camera (chamber concerto) featuring the flute, from which Vivaldi derived the concerto grosso RV 570.
La tempesta di mare may also refer to the violin concerto with the same name published in the same 1725 edition as the Four Seasons: this is however a different composition than the three flute concerto variants.
Vivaldi helped to bring the concerto to a mainstream form, not only by expanding on ritornello form, but by emphasizing the slow movements of concertos, which were in a two part binary form. Solo instruments that Vivaldi wrote concertos for include violin, bassoon, cello, oboe, viola d'amore, flute and mandolin. He also wrote ensemble concertos (concerto grosso and/or chamber concerto), where three or more soloists participate, which number over 30 written. Vivaldi had an extensive influence on the concerto genre, helping to pioneer the structure, expanding the boundaries of the genre, and showing that any instrument could have a concerto.
Vivaldi's contemporaries and predecessors such as Purcell, Bach and Handel featured the flute (traverso and/or recorder) significantly in their works.[2] RV 433 was conceived as a concerto for transverse flute in D. The first publication of the concerto, included as No. 1 in Vivaldi's Op. 10, VI Concerti a Flauto Traverso, was around 1728 in Amsterdam, by Michel-Charles Le Cène. The La tempesta di mare name for the concerto is given in the score.
Giving a musical impression of a storm was a popular theme in baroque music. For instance operas like Marin Marais' Alcyone contained famous storm scenes. Telemann wrote a secular cantata La Tempesta (The Storm), TWV 20:42, after an Italian libretto by Metastasio. Vivaldi wrote several tempesta di mare concertos. Two variants of RV 433, RV 98 and RV 570, are in the chamber concerto and concerto grosso format respectively. RV 98 is scored for flute, oboe, violin, bassoon, and continuo, from which Vivaldi created the RV 570 concerto grosso by adding orchestral violins to reinforce the solo oboe and violin, and a viola part doubling the bass at the upper octave. An unrelated tempesta di mare concerto, a violin concerto in E♭ major, RV 253, is included as No. 5 in Vivaldi's Op. 8 Il cimento dell'armonia e dell'inventione. The Four Seasons, the first four concertos of that collection, also include a few musical depictions of stormy weather.
According to Federico Maria Sardelli the chamber concerto version of La tempesta di mare, RV 98, was possibly written for Ignazio Sieber, during the time in which he worked with the composer at the Ospedale della Pietà from 1713 to 1716. This means that this version of the concerto may have been the earliest flute concerto ever composed, and also the first flute piece to include the problematic high F6. Sardelli's conclusions, if correct, would overturn "the received scholarly view that, rather than writing for the recorder in the first two or three decades of the eighteenth century, then switching over to the flute, Vivaldi already preferred the flute in the 1710s and did not start writing for the recorder until the early 1720s"
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Richard Wagner - Tannhauser: Overture
Tannhäuser is an 1845 opera in three acts, music and text by Richard Wagner, (WWV 70 in the catalogue of the composer's works) based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centers on the struggle between sacred and profane love, and redemption through love, a theme running through much of Wagner's mature work.
The opera remains a staple of major opera house repertoire in the 21st century.
Wagner began composing the music during a vacation in Teplitz in the summer of 1843 and completed the full score on 13 April 1845; the opera's famous overture, often played separately as a concert piece, was written last. While composing the music for the Venusberg grotto, Wagner grew so impassioned that he made himself ill; in his autobiography, he wrote, "With much pain and toil I sketched the first outlines of my music for the Venusberg.... Meanwhile I was very much troubled by excitability and rushes of blood to the brain. I imagined I was ill and lay for whole days in bed...." The instrumentation also shows signs of borrowing from French operatic style. The score includes parts for on-stage brass; however, rather than using French brass instruments, Wagner uses twelve German waldhorns. Wagner also makes use of the harp, another commonplace of French opera. Wagner made a number of revisions of the opera throughout his life, and was still unsatisfied with its format when he died. The most significant revision was made for the opera's premiere in Paris in 1861.
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Franz Schubert - Symphony No 3: Presto Vivace
Franz Schubert's Symphony No. 3 in D major, D 200, was written between 24 May and 19 July 1815, a few months after his eighteenth birthday. Like the other early symphonies (the six written before the "Unfinished" Symphony of 1822), it was not published during Schubert's lifetime. It appeared many years later, in the first Schubert complete works edition in 1884. It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings.
The length of this symphony is approximately 21–23 minutes. It is in four movements:
I. Adagio maestoso – Allegro con brio (222 bars)
II. Allegretto in G major (124 bars)
III. Menuetto. Vivace (56 bars + Trio 28 bars)
IV. Presto vivace (410 bars)
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