Posts in Vivaldi

Antonio Vivaldi - Dixit Dominus Antonio Vivaldi composed several settings of the Dixit Dominus (The Lord said [unto my Lord]), the Latin version of Psalm 110. They include a setting in ten movements for five soloists, double choir and orchestra, RV 594, another setting in eleven movements for five voices, five-part choir and orchestra, RV 595, and a recently discovered setting in eleven movements for five soloists, choir and orchestra, RV 807, which had been attributed to Baldassare Galuppi. It is said to be one of his "most significant sacred works." There are three recorded compositions of Dixit Dominus – Psalm 110 in Latin (or Psalm 109 in the Vulgate) – by Vivaldi. Each is an extended setting of the vespers psalm for five soloists, choir and orchestra; one only having been identified as his work in 2005. Psalm 110 is regularly included in Vespers services, usually as the opening psalm. Dixit Dominus has been said to be one of his "most significant sacred works". 1. Allegro: Dixit Dominus 2:24 2. Largo: Donec ponam 5:13 3. Allegro: Virgam virtutis tuae 2:57 4. Andante: Tecum principium 4:03 5. Adagio - Allegro: Juravit 2:47 6. Allegro: Dominus a dextris tuis 1:58 7. Largo - Allegro molto: Judicabit 3:20 8. Andante: De torrente 3:34 9. Allegro: Gloria Patri 1:29 10. Allegro: Sicut erat 2:42 For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Vivaldi

Antonio Vivaldi - Introduzione al Dixit An introduzione is a motet for solo voice intended to be sung before certain choral settings of liturgical texts. Eight introduzioni by Antonio Vivaldi survive, each in three or four movements. The texts of introduzioni are non-liturgical, but sometimes paraphrases of liturgical texts. In the Ryom Verzeichnis, Vivaldi's introduzioni are numbered from RV 635–642. Vivaldi's introduzioni are written for a solo singer, either alto or soprano, accompanied by instruments. The musical structure seems to derive from the text: four of the eight (RV 635, 636, 637, and 642) consist of two arias in da capo form surrounding a central recitative. One (RV 638) has a central aria flanked by two recitatives; another (RV 640) has just two movements – recitative then aria – and a third (RV 641) has four movements (two recitatives, aria, recitative). The remaining one (RV 639) has the structure 'aria-recitative-aria' but Vivaldi interwove the second aria into the first movement of the liturgical work which followed it - the Gloria (RV 588). 1. Allegro: Canta in prato 4:34 2. Recitativo: Sacra fulgescit nobis 0:49 3. Allegro: Avenae restrictae sinceri 0:52 For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Vivaldi

Antonio Vivaldi - Concerto for flute and orchestra op.10 N°6 Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later. For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Vivaldi

Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later. Concerto for flute and orchestra Op.10 No. 5 1- Allegro ma non tanto 2- Largo e cantabile 3- Allegro For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Vivaldi

Antonio Vivaldi - La Tempesta Di Mare: Presto II La tempesta di mare ("The Storm at Sea"), a flute concerto in F Major (RV 433; P. 261), is the first of Six Flute Concertos, Op. 10 by Antonio Vivaldi, published in the late 1720s. La tempesta di mare may also refer to two earlier versions of the same concerto, RV 98, a concerto da camera (chamber concerto) featuring the flute, from which Vivaldi derived the concerto grosso RV 570. La tempesta di mare may also refer to the violin concerto with the same name published in the same 1725 edition as the Four Seasons: this is however a different composition than the three flute concerto variants. Vivaldi helped to bring the concerto to a mainstream form, not only by expanding on ritornello form, but by emphasizing the slow movements of concertos, which were in a two part binary form. Solo instruments that Vivaldi wrote concertos for include violin, bassoon, cello, oboe, viola d'amore, flute and mandolin. He also wrote ensemble concertos (concerto grosso and/or chamber concerto), where three or more soloists participate, which number over 30 written. Vivaldi had an extensive influence on the concerto genre, helping to pioneer the structure, expanding the boundaries of the genre, and showing that any instrument could have a concerto. Vivaldi's contemporaries and predecessors such as Purcell, Bach and Handel featured the flute (traverso and/or recorder) significantly in their works.[2] RV 433 was conceived as a concerto for transverse flute in D. The first publication of the concerto, included as No. 1 in Vivaldi's Op. 10, VI Concerti a Flauto Traverso, was around 1728 in Amsterdam, by Michel-Charles Le Cène. The La tempesta di mare name for the concerto is given in the score. Giving a musical impression of a storm was a popular theme in baroque music. For instance operas like Marin Marais' Alcyone contained famous storm scenes. Telemann wrote a secular cantata La Tempesta (The Storm), TWV 20:42, after an Italian libretto by Metastasio. Vivaldi wrote several tempesta di mare concertos. Two variants of RV 433, RV 98 and RV 570, are in the chamber concerto and concerto grosso format respectively. RV 98 is scored for flute, oboe, violin, bassoon, and continuo, from which Vivaldi created the RV 570 concerto grosso by adding orchestral violins to reinforce the solo oboe and violin, and a viola part doubling the bass at the upper octave. An unrelated tempesta di mare concerto, a violin concerto in E♭ major, RV 253, is included as No. 5 in Vivaldi's Op. 8 Il cimento dell'armonia e dell'inventione. The Four Seasons, the first four concertos of that collection, also include a few musical depictions of stormy weather. According to Federico Maria Sardelli the chamber concerto version of La tempesta di mare, RV 98, was possibly written for Ignazio Sieber, during the time in which he worked with the composer at the Ospedale della Pietà from 1713 to 1716. This means that this version of the concerto may have been the earliest flute concerto ever composed, and also the first flute piece to include the problematic high F6. Sardelli's conclusions, if correct, would overturn "the received scholarly view that, rather than writing for the recorder in the first two or three decades of the eighteenth century, then switching over to the flute, Vivaldi already preferred the flute in the 1710s and did not start writing for the recorder until the early 1720s" For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Vivaldi

Antonio Vivaldi - La Tempesta Di Mare: Presto Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later. For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Vivaldi

Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian[6] Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Antonio Vivaldi Tracklist: 1 - As Quatro Estações, Opus 8-a Primavera-allegro 2 - As Quatro Estações, Opus 8-a Primavera-largo 3 - As Quatro Estações, Opus 8-a Primavera-allegro 4 - As Quatro Estações, Opus 8-o Verão-allegro Nom Molto 5 - As Quatro Estações, Opus 8-o Verão-adagio-presto 6 - As Quatro Estações, Opus 8-o Verão-presto 7 - As Quatro Estações, Opus 8-o Outono-allegro 8 - As Quatro Estações, Opus 8-o Outono-adagio 9 - As Quatro Estações, Opus 8-o Outono-allegro 10 - As Quatro Estações, Opus 8-o Inverno-allegro Nom Molto 11 - As Quatro Estações, Opus 8-o Inverno-largo 12 - As Quatro Estações, Opus 8-o Inverno-allegro 13 - Glória, Em Ré Maior (Rv589)-gloria Em Excelsis Deo 14 - Glória, Em Ré Maior (Rv589)-et In Terra Pax 15 - Glória, Em Ré Maior (Rv589)-laudamus Te 16 - Glória, Em Ré Maior (Rv589)-gratias Agimus Tibi 17 - Glória, Em Ré Maior (Rv589)-domine Deus, Rex Caelestis 18 - Glória, Em Ré Maior (Rv589)-domine Fili Unigenite 19 - Glória, Em Ré Maior (Rv589)-domine Deus, Agnus Dei 20 - Glória, Em Ré Maior (Rv589)-qui Tollis Peccata Mundi 21 - Glória, Em Ré Maior (Rv589)-qui Sedes Ad Dexteram Patr... 22 - Glória, Em Ré Maior (Rv589)-quoniam Tu Solus Sanctus 23 - Cum Sancto Spirito 24 - La Tempesta Di Mare (Opus 8, Nº5)-presto 25 - La Tempesta Di Mare (Opus 8, Nº5)-largo 26 - La Tempesta Di Mare (Opus 8, Nº5)-presto For more: http://www.melhoresmusicasclassicas.blogspot.com #MusicHistory #ClassicalMusic #Vivaldi