Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Art of Fugue, the Brandenburg Concertos, and the Goldberg Variations as well as for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of the Western musical canon.
The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After becoming an orphan at age 10, he lived for five years with his eldest brother Johann Christoph Bach, after which he continued his musical development in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for longer stretches of time, at courts in Weimar—where he expanded his repertoire for the organ—and Köthen—where he was mostly engaged with chamber music. From 1723 he was employed as Thomaskantor (cantor at St. Thomas) in Leipzig. He composed music for the principal Lutheran churches of the city, and for its university’s student ensemble Collegium Musicum. From 1726 he published some of his keyboard and organ music. In Leipzig, as had happened in some of his earlier positions, he had a difficult relation with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus, Elector of Saxony and King of Poland, in 1736. In the last decades of his life he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750 at the age of 65.
Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach’s compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.
Throughout the 18th century Bach was mostly renowned as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals and websites exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including for instance the Air on the G String, and of recordings, for instance three different box sets with complete performances of the composer’s works marking the 250th anniversary of his death.
Johann Sebastian Bach
1. Tocata e Fuga em Ré Menor, BWV 565
2. Cantata nº 51, “Jauchzet Gott In Allen Landen”, BWV 51
3. Cantata nº 140, “Wachet Auf”, BWV 140
4. Concerto de Brandenburgo nº 4, BWV 1049 (I. Allegro)
5. Ária na Corda Sol da Suíte nº 3, BWV 1068
6. Concerto para Cravo nº 1 em Ré Menor, BWV 1052 (I. Allegro)
7. Cantata nº 208, “Sheep May Safely Graze”, BWV 208
Suíte nº 2 em Si Menor para Flauta, BWV 1067
11. Cantata nº 147, “Jesus Alegria dos Homens”, BWV 147
12. Concerto de Brandenburgo nº 2, BWV 1047(III. Allegro Assai)
CONCERTO DE BRANDEMBURGO N° 3, EM SOL MAIOR, BWV 1048
CONCERTO DE BRANDEMBURGO N° 5, EM RÉ MAIOR, BWV 1050
CONCERTO EM RÉ MENOR PARA CRAVO E ORQUESTRA, BWV 1052
CONCERTO EM DÓ MENOR PARA OBOÉ, VIOLINO E ORQUESTRA, BWV 1060
25. TOCATA E FUGA EM RÉ MENOR PARA ÓRGÃO, BWV 565