John Goss - Praise My Soul the King of Heaven
Praise, My Soul, the King of Heaven is a Christian hymn. Its text, which draws from Psalm 103, was written by Anglican divine (clergyman) Henry Francis Lyte. The hymn is frequently sung in the United Kingdom and was used in the 1947 royal wedding of Princess Elizabeth, now Queen Elizabeth II, and Prince Philip, Duke of Edinburgh. It was also used as the opening hymn at the 2018 funeral of former U.S. President George H. W. Bush.
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Frédéric Chopin - Piano Concerto No. 1 (Allegro Maestoso)
The Piano Concerto No. 1 in E minor, Op. 11, is a piano concerto written by Frederic Chopin in 1830, when he was twenty years old. It was first performed on 11 October of that year, at the Teatr Narodowy (the National Theatre) in Warsaw, Poland, with the composer as soloist, during one of his “farewell” concerts before leaving Poland.
It was the first of Chopin's two piano concertos to be published, and was therefore given the designation of Piano Concerto “No. 1” at the time of publication, even though it was actually written immediately after the premiere of what was later published as Piano Concerto No. 2.
The concerto is scored for solo piano, pairs of flutes, oboes, clarinets, and bassoons, 4 horns, 2 trumpets, tenor trombone, timpani and strings. A typical performance lasts about 40 minutes.
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Leopold Kozeluch
Leopold Koželuch (Czech pronunciation: [ˈlɛopolt ˈkoʒɛlux], born Jan Antonín Koželuh, alternatively also Leopold Koželuh, Leopold Kotzeluch) (26 June 1747 – 7 May 1818) was a Czech composer and music teacher.
He was born in the town of Velvary, in Bohemia (present-day Czech Republic). He moved to Prague to further his musical education, before moving in Vienna in 1778, where he was based for the remainder of his career. In Vienna he achieved renown as a composer, pianist and teacher, and from 1792 until his death in 1818 he held royal appointments as Kammer Kapellmeister (music director) and Hofmusik Compositor (composer), as Wolfgang Amadeus Mozart’s successor.
Koželuch's compositional output included sonatas and concertos for keyboard, the instrument in which he specialised, as well as chamber music, choral music and opera.
Sinfonia Concertante in E flat major
Allegro 00:00
Andantino con variazioni 15:59
Finale, Rondo allegretto 22:19
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Hendrik Andriessen
Concerto for organ and orchestra
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Luigi Cherubini (Italian: 8 or 14 September 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. His operas were heavily praised and interpreted by Rossini.
Luigi Cherubini
Sonata for two Organs in G major
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Franz Schubert - Octet in F major D 803
The Octet in F major, D. 803 was composed by Franz Schubert in March 1824. It was commissioned by the renowned clarinetist Ferdinand Troyer and came from the same period as two of Schubert's other major chamber works, the 'Rosamunde' and 'Death and the Maiden' string quartets.
Consisting of six movements, the Octet takes almost an hour to perform.
1. Adagio – Allegro – Più allegro
2. Adagio
3. Allegro vivace – Trio – Allegro vivace
4. Andante – variations. Un poco più mosso – Più lento
5. Menuetto. Allegretto – Trio – Menuetto – Coda
6. Andante molto – Allegro – Andante molto – Allegro molto
The Octet boasts the largest scale for any chamber work by Schubert. It is scored for a clarinet, a bassoon, a horn, two violins, a viola, a cello, and a double bass. This instrumentation is similar to that of the Beethoven Septet, differing only by the addition of a second violin.
In response to a reported request by Troyer for a work similar to Beethoven's Septet, Op. 20, Schubert composed the Octet in early 1824. The work was first performed at the home of Troyer's employer, the Archduke Rudolf (to whom Beethoven's Archduke Trio is dedicated) and included many of the musicians who premiered the Septet.
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Joachim Andersen - Ballade et Danse des Sylphes Op. 5
Carl Joachim Andersen (April 29, 1847 – May 7, 1909) was a Danish flutist, conductor and composer born in Copenhagen, son of the flutist Christian Joachim Andersen. Both as a virtuoso and as composer of flute music, he is considered one of the best of his time. He was considered to be a tough leader and teacher and demanded as such a lot from his orchestras but through that style he reached a high level.
As well as his little brother, Viggo was taught by his father and already as a child he performed with success at a Danish theater called Casino accompanied by the little harpist Frantz Pønitz. From when he was 13 years old to the year of 1868 he was first flutist in a musical orchestra in Copenhagen conducted by Niels Gade.
In 1869 he became employed by the Royal Danish Orchestra as a flutist but resigned after a year of leave in 1878. He was longing for larger challenges and went abroad. First stop was Saint Petersburg (1878–1880) where he was engaged by St. Petersburg Philharmonic Orchestra. Afterwards in 1881 he went to Berlin where he was engaged in Bilse's Band as a solo flutist as well as he was in the Royal German Opera.
In 1882 he was a co-founder of the Berlin Philharmonic, which he and 53 other musicians formed out of the former Bilse's Band. Along with his job as a solo flutist, he took over more and more conductor's assignments and conducted over 8 summers one of the orchestra's two daily concerts in Scheveningen.
In 1893 Andersen was forced to resign his job because of a paralysis in his tongue and travelled then back to Copenhagen where he was employed as a composer. Among other pieces he was the composer of concerts in Tivoli Gardens. In 1897 he founded an orchestra school and was, until his death, leader and professor in conducting at the school. In 1905 he was knighted by king "Christian IX of Denmark" to the "Order of the Dannebrog ".
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Joseph Haydn - Divertimento in A flat major, Hob XVI46
Divertimento (Italian; from the Italian divertire "to amuse") is a musical genre, with most of its examples from the 18th century. The mood of the divertimento is most often lighthearted (as a result of being played at social functions) and it is generally composed for a small ensemble. The term is used to describe a wide variety of secular (non-religious) instrumental works for soloist or chamber ensemble. It is usually a kind of music entertainment, although it could also be applied to a more serious genre. After 1780, the term generally designated works that were informal or light.
As a separate genre, it appears to have no specific form, although most of the divertimenti of the second half of the 18th century go either back to a dance suite approach (derived from the 'ballet' type of theatrical divertimento), or take the form of other chamber music genres of their century (as a continuation of the merely instrumental theatrical divertimento). There are many other terms which describe music similar to the divertimento, including serenade, cassation, notturno, Nachtmusik; after about 1780, the divertimento was the term most commonly applied to this light, "after-dinner" and often outdoor music. Divertimenti have from one to nine movements, and there is at least one example with thirteen. The earliest publication to use the name "divertimento" is by Carlo Grossi in 1681 in Venice (Il divertimento de' grandi: musiche da camera, ò per servizio di tavola) and the hint that the divertimento is to accompany "table service" applies to later ages as well, since this light music was often used to accompany banquets and other social events.
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Wolfgang Amadeus Mozart - 12 Variations on a French Nursery Theme
Twelve Variations on "Ah vous dirai-je, Maman", K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song "Ah! vous dirai-je, maman". The French melody first appeared in 1761, and has been used for many children's songs, such as "Twinkle, Twinkle, Little Star", "Baa, Baa, Black Sheep" and the "Alphabet Song".
This work was composed for solo piano and consists of 13 sections: the first section is the theme, the other sections are Variations I to XII. Only Variations XI and XII have tempo indications, Adagio and Allegro respectively.
For a time, it was thought that these variations were composed in 1778, while Mozart stayed in Paris from April to September in that year, the assumption being that the melody of a French song could only have been picked up by Mozart while residing in France. For this presumed composition date, the composition was renumbered from K. 265 to K. 300e in the chronological catalogue of Mozart's compositions. Later analysis of Mozart's manuscript of the composition by Wolfgang Plath rather indicated 1781/1782 as the probable composition date.
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Wolfgang Amadeus Mozart - 8 Variations on Ein Weib ist das herrlichste Ding K 613
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized.
He composed more than 600 works, many of which are acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is considered among the greatest classical composers of all time, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
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