Ave verum corpus (Hail, true body), (K. 618), is a motet in D major composed by Wolfgang Amadeus Mozart in 1791. It is a setting of the Latin hymn Ave verum corpus. Mozart wrote it for Anton Stoll, a friend who was the church musician of St. Stephan in Baden bei Wien. The motet was composed for the feast of Corpus Christi; the autograph is dated 17 June 1791. It is scored for SATB choir, string instruments and organ.
Mozart composed the motet in 1791 in the middle of writing his opera Die Zauberflöte.[1] He wrote it while visiting his wife Constanze, who was pregnant with their sixth child and staying in the spa Baden bei Wien.[1] Mozart set the 14th century Eucharistic hymn in Latin "Ave verum corpus". He wrote the motet for Anton Stoll, a friend of his and of Joseph Haydn.[2] Stoll was the musical director of the parish St. Stephan, Baden.[3] The setting was composed to celebrate the feast of Corpus Christi; the autograph is dated 17 June 1791. (The Feast of Corpus Christi falls on the Thursday following Trinity Sunday, and in 1791 was observed on May 25.) The composition is only forty-six bars long and is scored for SATB choir, string instruments, and organ. Mozart's manuscript contains minimal directions, with only a single sotto voce marking at the beginning.
The motet was composed less than six months before Mozart's death.[2] It foreshadows "aspects of the Requiem such as declamatory gesture, textures, and integration of forward- and backward-looking stylistic elements".[4] While the Requiem is a dramatic composition, the motet expresses the Eucharistic thoughts with simple means, suited for the church choir in a small town.[2][5]
Franz Liszt quotes Mozart's motet in the piano piece Evocation à la Chapelle Sixtine.[6] Pyotr Ilyich Tchaikovsky incorporates an orchestration of Liszt's transcription in his fourth orchestral suite, Mozartiana, Op. 61.
Mozart - Ave verum corpus K. 618
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Wolfgang Amadeus Mozart's Horn Concerto No. 1 in D major, K. (412+514)/386b was written in 1791. The work is in two movements. Unusually, each movement received a distinct number in the first edition of the Köchel catalogue: The first movement of this concerto was featured in film The Truman Show (1998).
Allegro 4/4 (K. 412)
Rondo (Allegro) 6/8[1] (K. 514)
This is one of two horn concertos of Mozart to include bassoons (the other is K. 447), but in this one he "treats them indifferently in the first movement."[2] It is the only one of Mozart's horn concertos to be in D major (the rest are in E-flat major) and the only one to have just two movements instead of the usual three (with the exception of the incompletely scored horn concerto, K. 370b+371).
Although numbered first, this was actually the last of the four to be completed. Compared to the other three concertos, it is shorter in duration (two movements rather than three), and is much simpler in regard to both range and technique, perhaps in a nod to Leutgeb's, the horn player and Mozart's great friend, advanced age and (presumably) reduced capabilities at the time of composition. The second movement, K. 514, was shown by Alan Tyson to have been finished by Mozart's student Franz Xaver Süssmayr after Mozart's death.
Mozart's autograph score contains, arranged in strategic places throughout the sketch of the Rondo, a bizarre written narrative in Italian almost certainly directed to Leutgeb:
For you, Mr. Donkey—Come on—quick—get on with it—like a good fellow—be brave—Are you finished yet?—for you—beast—oh what a dissonance—Oh!—Woe is me!!—Well done, poor chap—oh, pain in the balls!—Oh God, how fast!—you make me laugh—help—take a breather—go on, go on—that's a little better—still not finished?—you awful swine!—how charming you are!—dear one!—little donkey!—ha, ha, ha—take a breath!—But do play at least one note, you prick!—Aha! Bravo, bravo, hurrah!—You're going to bore me for the fourth time, and thank God it's the last—Oh finish now, I beg of you!—Confound it—also bravura?—Bravo!—oh, a sheep bleating—you're finished?—Thank heavens!—Enough, enough![3]
A comparison between Mozart's draft and Süssmayr's version reveals that Süssmayr used very little of Mozart's material: b.1–40 of Mozart's autograph corresponds almost exactly to b.1–44 of Süssmayr's version, and the two thereafter diverge with only a few passages in Süssmayr (b.59–62, 84–92, 109–116) bearing any close relationship to Mozart's material.[4] Süssmayr's rondo also makes use of a plainchant melody (the Lamentationes prophetae Jeremiae), and one explanation of this is that the melody was copied out by Mozart while he was composing the Requiem, which Süssmayr later mistook as material for the rondo.
Mozart - Horn Concerto No. 1 in D major - I. Allegro
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Fantasia No. 3 in D minor, K. 397/385g (Fantasy in English, Fantasie in German) is a piece of music for solo piano composed by Wolfgang Amadeus Mozart in 1782. Despite being unfinished at Mozart's death, the piece is nonetheless one of his more popular compositions for the piano.
The original manuscript has not survived and the final measures of the piece have been lost or were never completed by Mozart. The ending as it currently exists (last 10 measures) is believed to have been written by August Eberhard Müller, one of the composer's admirers.
The Fantasia runs to just over 100 measures, in a single multi-tempo movement marked Andante – Adagio – Presto – Tempo primo – Presto – Tempo primo – Allegretto, and a full performance takes approximately five minutes.
The Austrian composer and academic Gerhard Präsent has published an extensive analysis of the Fantasia that reveals highly interesting structural correlations between the different parts of the composition.[2] He has also made an arrangement for string quartet in four movements, called the Fantasy Quartet in D, in which this piece is the first movement.
Mozart - Fantasia in D minor K 397
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The String Quartet No. 19 in C Major, K. 465 by Wolfgang Amadeus Mozart, nicknamed "Dissonance" on account of its unusual slow introduction, is perhaps the most famous of his quartets. It is the last in the set of six quartets composed between 1782 and 1785 that he dedicated to Joseph Haydn.
According to the catalogue of works Mozart began early the preceding year, the quartet was completed on 14 January 1785.
As is normal with Mozart's later quartets, it is in four movements:
Adagio-Allegro
Andante cantabile in F major
Menuetto. Allegro. (C major, trio in C minor)
Allegro molto
Mozart - String Quartet No. 19 in C major 'Dissonant' K 465
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Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart,[b] was a prolific and influential composer of the classical era.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized.
He composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
Classical Music for Reading - Mozart Collection
Tracklist:
1 - Mozart - Piano Sonata no. 12
2 - Mozart - Piano sonata No.11
3 - Mozart - Piano Concerto no. 21
4 - Mozart - Sonata No. 13 In B Flat Major
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Happy Classical Music - Tchaikovsky, Mozart, Vivaldi, Strauss
Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music. While a more precise term is also used to refer to the period from 1750 to 1820 (the Classical period), this article is about the broad span of time from before the 6th century AD to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1550 and 1900, which is known as the common-practice period.
Tracklist:
1 - Tchaikovsky - The Nutcracker Suite - Act I No.7. Dance of the Flutes
2 - Vivaldi - Violin Concerto in E major I. Allegro
3 - Joh Strauss - Fruhlingsstimmen Op.410
4 - Tchaikovsky - The Nutcracker Suite - Act I No.1. Overture
5 - Tchaikovsky - The Nutcracker Suite - Act I No.3. Dance of the Sugar Plum Fairy
6 - Mozart - Piano Concerto no. 21 in C major
7 - Vivaldi - Violin Concerto in F major I. Allegro
8 - Tchaikovsky - The Nutcracker Suite - Act I
9 - Vivaldi - Violin Concerto in F major III. Allegro
10 - Tchaikovsky - The Nutcracker Suite - Act I
11 - Tchaikovsky - The Nutcracker Suite - Act II
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Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart,[b] was a prolific and influential composer of the classical era.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized.
He composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
The Best of Mozart Part IV - Greatest Works
1. Mozart - Oboe Quartet in F K 370
2. Mozart - Piano Quartet in E flat major K 493
3. Mozart - Piano Quartet in Gm K 478
4. Mozart - Piano Sonata No. 3 K 281
5. Mozart - Quintet for Clarinet and String Quartet in A major K 581
6. Mozart - Sonata for Bassoon and Cello in B flat major
7. Mozart - String Quartet No. 15 In D Minor K 421
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Wolfgang Amadeus Mozart - Symphony No. 33 in B flat major K 319
The Symphony No. 33 in B♭ major, K. 319, was written by Wolfgang Amadeus Mozart, and dated on 9 July 1779.
The symphony has 4 movements, and is scored for strings, 2 oboes, 2 bassoons, and 2 horns, the smallest orchestral force employed in his last ten symphonies:
1. Allegro assai, 3
4, in sonata form
2. Andante moderato in E♭ major, 2
4, in modified sonata form, order of first and second subjects reversed in the recapitulation
3. Menuetto, 3
4, in ternary form
4. Finale: Allegro assai, 2
4, in sonata form
The autograph score is today preserved in the Biblioteka Jagiellońska, in Kraków.
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Wolfgang Amadeus Mozart - The Magic Flute (Overture)
The Magic Flute (German), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue. The work was premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death.
In this opera, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high ideals of Sarastro's community and seeks to join it. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, with the Queen and her cohorts vanquished. The earthy Papageno, who accompanies Tamino on his quest, fails the trials completely but is rewarded anyway with the hand of his ideal female companion, Papagena.
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Wolfgang Amadeus Mozart - Alleluia
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized.
He composed more than 600 works, many of which are acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is considered among the greatest classical composers of all time, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
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