Posts in Wolfgang Amadeus Mozart

The Serenade no. 13, K. 525, is a 1787 composition for chamber ensemble by W.A. Mozart. The title means 'a little serenade', though it is often rendered more literally but less accurately as A little night music (which has become a common nickname for the piece). There are no records of its first performance, but it is suggested that -as with his other serenades- Mozart wrote it on comission. The traditionally used name of the work comes from the entry Mozart made for it in his personal catalog, which begins, "Eine kleine Nachtmusik." It has been pointed out that Mozart was not giving the piece a special title, but only entering in his records that he had completed a little serenade. The work is written for an ensemble of two violins, viola, and cello with optional double bass, but is often performed by string orchestras. In the catalog entry mentioned above, Mozart listed the work as having five movements The second movement in his listing, a minuet and trio, was long thought lost and no one knows if it was Mozart or someone else who removed it. In the catalog entry mentioned above, Mozart listed the work as having five movements ("Allegro – Minuet and Trio – Romance – Minuet and Trio – Finale."). The second movement in his listing — a minuet and trio — was long thought lost, and no one knows if Mozart or someone else removed it. In his 1984 recording, Christopher Hogwood used a minuet of Thomas Attwood (found in his sketchbooks used while he took lessons from Mozart), and an additional newly composed trio to substitute the missing movement. Musicologist Alfred Einstein suggested, however, that a minuet in the Piano Sonata in B♭ major, K. 498a, is the missing movement. K. 498a, which is credited to the composer August Eberhard Müller, incorporates significant amounts of Mozart's work in the form of reworkings of material from the piano concertos K. 450, K. 456, and K. 595, leading Einstein to suggest that the minuet in Müller's sonata might be an arrangement of the missing movement from Eine kleine Nachtmusik. In 1971, this movement was incorporated into a recording of the work prepared by the musicologist and performer Thurston Dart. In 1989, the minuet and trio of K. 498a was again recorded as part of an arrangement of Eine Kleine Nachtmusik made by Jonathan Del Mar for Nimbus Records. Mozart - Serenade in G major - Music | History We are a educational channel specializing in history of classical music. Our goal is to spread classical music to the greatest number of people. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 #MusicHistory #Serenade #Mozart 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com

The Flute Concerto No. 1 in G major, K. 313, was written in 1778 by Wolfgang Amadeus Mozart. Commissioned by the Dutch flautist Ferdinand De Jean in 1777, Mozart was supposed to provide four flute quartets and three flute concertos, yet he only completed two of the three concertos, K. 313 being the first. The Andante for Flute and Orchestra K. 315 may have been written as an alternative slow movement for this concerto, but there is no extant manuscript and it is therefore difficult to ascertain Mozart's intentions clearly (this also means that current editions are based on the earliest editions rather than an autograph). The piece is scored for a standard set of orchestral strings, two oboes (which are replaced with two flutes in the Adagio movement), and two horns. The piece is divided into three movements: 1. Allegro maestoso 2. Adagio ma non troppo 3. Rondo: Tempo di Menuetto Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized. He composed more than 600 works, many of which are acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is considered among the greatest classical composers of all time, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years". Mozart - Flute Concerto in G Major K. 313 We are a educational channel specializing in history of classical music. Our goal is to spread classical music to the greatest number of people. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #FluteConcerto #Mozart

Mozart - Fantasia in C minor K. 475 - Music | History Fantasia in C minor, K. 475 is a piece of music for solo piano composed by Wolfgang Amadeus Mozart in Vienna on 20 May 1785. It was published as Opus 11, in December 1785, together with the Sonata in C minor, K. 457, the only one of Mozart's piano sonatas to be published together with a work of a different genre. Starting in the key of C minor, the piece is marked Adagio but then, after a section in D major, moves into an allegro section which goes from A minor to G minor, F major, and then F minor. It then moves into a fourth section in B♭ major marked Andantino and then moves to a più allegro section starting in G minor and modulating through many keys before the opening theme returns in the original key of C minor. Most of the music is written with no sharps or flats in the key signature and uses accidentals—only the fourth section, in B♭ major, is given a key signature. We are a educational channel specializing in history of classical music. Our goal is to spread classical music to the greatest number of people. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Mozart

Mozart - String Quintet No. 4 in Gm, K. 516 - Music | History The String Quintet No. 4 in G minor, K. 516, written by Wolfgang Amadeus Mozart, is like all of Mozart's string quintets a "viola quintet" in that it is scored for string quartet and an extra viola (that is, two violins, two violas and cello). The mood of the piece is dark and melancholic, typical of Mozart's G minor works. The work was completed on May 16, 1787, less than a month after the completion of his grand C major Quintet, K. 515. This would not be the last time that a great pair of C major/G minor works of the same form would be published in close proximity and assigned consecutive Köchel numbers. The following year, the 40th (G minor) and 41st (C major) symphonies (respectively K. 550 and K. 551) would be completed within a few weeks of each other. The first movement is in sonata form with both the first and second themes beginning in G minor. The movement does not resolve to the major key in the recapitulation, and it has a minor-key ending. The minuet, placed second, is a minuet in name only, as the turbulent G minor theme and heavy third-beat chords make this movement very undancelike. The central trio, by contrast, is in a bright G major. The third movement, in E-flat major, is slow, melancholic and wistful, furthering the despair brought forth by the previous movements. Pyotr Ilyich Tchaikovsky said of this movement: "No one has ever known as well how to interpret so exquisitely in music the sense of resigned and inconsolable sorrow." The start of the fourth movement is not the typical quick-tempo finale, but a slow aria back in the home key of G minor. It is a dirge or lament that is even slower than the previous movement. The music remains in this dark area for a few minutes before reaching an ominous pause. At this point, Mozart launches into the ebullient G major Allegro, which creates a stark contrast between it and the movements that preceded it. Critics have often questioned how such an insouciant and carefree finale could follow after three-plus movements of intense pathos, even though it conforms perfectly to the Classical understanding of a finale as resolving everything that preceded it. We are a cultural channel specializing in classical music. Our goal is to spread classical music to the greatest number of people. Here you will find musics for studying, concentration, relaxing and working. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Mozart

Mozart - Piano Sonata No. 10 in C major, K. 330 - Music | History Wolfgang Amadeus Mozart's Piano Sonata No. 10 in C major, K. 330 / 300h, is one of the three works in the cycle of piano sonatas K.330-332. The sonata was composed in 1783, when Mozart was 27 years old. It was published, with the other two sonatas by Artaria in 1784. A typical performance of this sonata lasts around twenty minutes. The work is one of Mozart's most popular piano sonatas, and has been featured in classical music-related films, such as Sparky's Magic Piano. Mozart's autograph of the sonata is held in the Jagiellonian Library, Kraków. The sonata is in three movements: 1. Allegro moderato 2. Andante cantabile in F major 3. Allegretto We are a cultural channel specializing in classical music. Our goal is to spread classical music to the greatest number of people. Here you will find musics for studying, concentration, relaxing and working. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Mozart

Mozart - Symphony No. 34 in C major The symphony features the fanfares and flourishes typical of the "festive symphony" or "trumpet symphony", which is characteristic of Austrian symphonic writing in C major. This is the first of Mozart's C-major symphonies to exhibit this character, but the style would be revisited in his subsequent two works in this key, the 36th and 41st symphonies. The first movement is written in sonata form but also contains many styles and formal aspects of an Italian overture. There is no expositional repeat. The expositional coda contains an overture-like crescendo which is not included in the recapitulation. The development is based entirely on new material. The recapitulation on the exposition's first theme is abbreviated and interrupted by a brief development of that theme. Finally, the movement's coda contains nearly all of this first theme creating the appearance of a reverse-recapitulation common in Italian overtures. The second movement in F major is scored for strings sotto voce with divided violas and a single bassoon doubling the cellos and bass. Alfred Einstein advanced a theory in the third edition of the Köchel catalogue that the Minuet K. 409 was written at a later date by the composer for this work. However, there is no proof in the sources to support his thesis.[2] Also, K. 409 calls for two flutes in its orchestration which does not match the rest of the symphony. The finale is in sonata form and features energetic tarantella or saltarello rhythms. The autograph score is today preserved in two halves: the first half (f.1-18) is in the Bibliothèque Nationale de France, and the second half (f.19-28) is in the Biblioteka Jagiellońska, in Kraków. We are a cultural channel specializing in classical music. Our goal is to spread classical music to the greatest number of people. Here you will find musics for studying, concentration, relaxing and working. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Mozart

Mozart's final piano concerto was entered into his thematic catalog in 1791, the year of his death. However, it appears that, like its immediate predecessor (no. 26, "Coronation"), the concerto was started some time earlier, possibly in 1788. Mozart himself gave the first performance two months after the concerto's completion at a benefit concert for the clarintetist Josef Bähr, and it proved to be his final appearance on the concert platform. The report went to record that "everyone admired his art, in composition as well as in performance," an ironic statement from the press of a city that by this time had long tired of Mozart as a performer. Mozart - Concerto for Piano and Orchestra No. 27 Hello! Welcome to Top Classical Music, the most comprehensive channel specializing in classical music. Here you will find musics for studying, concentration, relaxing and working. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Mozart

The Piano Concerto No. 16 in D major, KV. 451, is a concertante work for piano, or pianoforte, and orchestra by Wolfgang Amadeus Mozart. Mozart composed the concerto for performance at a series of concerts at the Vienna venues of the Trattnerhof and the Burgtheater in the first quarter of 1784, where he was himself the soloist.[1] Mozart noted this concerto as complete on 22 March 1784 in his catalog, and performed the work later that month. Cliff Eisen has postulated that this performance was on 31 March 1784.[2] The work is orchestrated for solo piano, flute, two oboes, two bassoons, two horns, two trumpets, timpani and strings. The concerto is in three movements: Allegro assai Andante in G major Allegro di molto Simon Keefe has noted contemporary comments from Mozart's era on how the woodwind writing in this concerto showed a "newly intricate and sophisticated" character compared to Mozart's prior keyboard concerti.[1] M.S. Cole has noted Mozart's use of meter changes in the coda of the finale, starting at measure 315, from 2/4 to 3/8, and subsequent thematic transformations.[3] Joel Galand has noted that the finale, in rondo-ritornello form, avoids use of a new re-entry theme. Mozart - Concerto No. 16 in D for Piano Hello! Welcome to Top Classical Music, the most comprehensive channel specializing in classical music. Here you will find musics for studying, concentration, relaxing and working. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Mozart

The Piano Concerto No. 20 in D minor, K. 466, was composed by Wolfgang Amadeus Mozart in 1785. The first performance took place at the Mehlgrube Casino in Vienna on 11 February 1785, with the composer as the soloist. A few days after the first performance, the composer's father, Leopold, visiting in Vienna, wrote to his daughter Nannerl about her brother's recent success: "[I heard] an excellent new piano concerto by Wolfgang, on which the copyist was still at work when we got here, and your brother didn't even have time to play through the rondo because he had to oversee the copying operation." It is written in the key of D minor. Other works by the composer in that key include the Fantasia K. 397 for piano, the Requiem, a Kyrie, a mass, the aria "Der Hölle Rache kocht in meinem Herzen" from the opera The Magic Flute and parts of the opera Don Giovanni. It is the first of two piano concertos written in a minor key (No. 24 in C minor being the other). The young Ludwig van Beethoven admired this concerto and kept it in his repertoire. Composers who wrote cadenzas for it include Beethoven (WoO 58), Charles-Valentin Alkan, Johannes Brahms (WoO 14), Johann Nepomuk Hummel, Ferruccio Busoni, and Clara Schumann. Neuer Markt in Vienna with Capuchin Church and Haus zur Mehlgrube on the right, painting by Bernardo Bellotto, 1760 James Hewitt used the first movement in his Medeley Overture. One of Mozart's favorite pianos that he played while he was living in Vienna had a pedal-board that was operated with the feet, like that of an organ. This piano that Mozart owned is on display at Mozart House in Salzburg, but currently it has no pedal-board. The fact that Mozart had a piano with a pedal-board is reported in a letter written by his father, Leopold, who visited his son while he lived in Vienna. Among Mozart's piano works, none are explicitly written with a part for a pedal-board. However, according to Leopold's report, at the first performance of Piano Concerto No. 20 in D Minor (K. 466), Mozart, who was the soloist and conductor, used his own piano, equipped with a pedal-board. Presumably the pedal-board was used to reinforce the left-hand part, or add lower notes than the standard keyboard could play. Because Mozart was also an expert on the organ, operating a pedal-board with his feet was no harder than using only his hands. Mozart - Piano Concerto No. 20 in D minor K 466 - Romance Hello! Welcome to Top Classical Music, the most comprehensive channel specializing in classical music. Here you will find musics for studying, concentration, relaxing and working. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Mozart

The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a Requiem service to commemorate the anniversary of his wife's death on 14 February. The autograph manuscript shows the finished and orchestrated Introit in Mozart's hand, and detailed drafts of the Kyrie and the sequence Dies irae as far as the first eight bars of the Lacrimosa movement, and the Offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. She was responsible for a number of stories surrounding the composition of the work, including the claims that Mozart received the commission from a mysterious messenger who did not reveal the commissioner's identity, and that Mozart came to believe that he was writing the requiem for his own funeral. In addition to the Süssmayr version, a number of alternative completions have been developed by musicologists in the 20th century. Mozart - Requiem in D minor K 626 Hello! Welcome to Top Classical Music, the most comprehensive channel specializing in classical music. Here you will find musics for studying, concentration, relaxing and working. Explore our channel and listen to more works by Mozart, Chopin, Beethoven, Tchaikovsky, Bach, Haydn, Schumann, Schubert, Vivaldi, Dvorak, Debussy and more! I hope you enjoy it and don't forget to Subscribe. 🎧 🔴 Facebook: https://www.facebook.com/TopClassicalMusic 🔴 WebSite: http://www.melhoresmusicasclassicas.com #MusicHistory #ClassicalMusic #Mozart